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Der Beitrag beschreibt ein mehrfach annotiertes Korpus deutschsprachiger Songtexte als Datenbasis für interdisziplinäre Untersuchungsszenarien. Die Ressource erlaubt empirisch begründete Analysen sprachlicher Phänomene, systemischstruktureller Wechselbeziehungen und Tendenzen in den Texten moderner Popmusik. Vorgestellt werden Design und Annotationen des in thematische und autorenspezifische Archive stratifizierten Korpus sowie deskriptive Statistiken am Beispiel des Udo-Lindenberg-Archivs.
We present a simple tool for extracting text and markup information from printouts of (not only) scientific documents. While the heavy-lifting OCR is done by off-the-shelf tesseract, our focus is on detection, extraction, and basic categorization of color-highlighted text sections, as well as on providing a framework for downstream processing of extraction results. The tool can be useful for document analysis tasks that must, or benefit from being able to, use printed paper.
The workshop presents ATHEN 1 (Annotation and Text Highlighting Environment), an extensible desktop-based annotation environment which supports more than just regular annotation. Besides being a general purpose annotation environment, ATHEN supports indexing and querying support of your data as well as the ability to automatically preprocess your data with Meta information. It is especially suited for those who want to extend existing general purpose annotation tools by implementing their own custom features, which cannot be fulfilled by other available annotation environments. On the according gitlab, we provide online tutorials, which demonstrate the use of specific features of ATHEN
The understanding of story variation, whether motivated by cultural currents or other factors, is important for applications of formal models of narrative such as story generation or story retrieval. We present the first stage of an experiment to elicit natural narrative variation data suitable for evaluation with respect to story similarity, to qualitative and quantitative analysis of story variation, and also for data processing. We also present few preliminary results from the first stage of the experiment, using Red Riding Hood and Romeo and Juliet as base texts.
Interested in formally modelling similarity between narratives, we investigate judgements of similarity between narratives in a small corpus of film reviews and book–film comparisons. A main finding is that judgements tend to concern multiple levels of story representation at once. As these texts are pragmatically related to reception contexts, we find many references to reception quality and optimality. We conclude that current formal models of narrative can not capture the task of naturalistic narrative comparisons given in the analysed reviews, but that the development of models containing a more reception-oriented point of view will be necessary.
Die vorgestellte Studie untersucht die Anteile unterschiedlicher Redewiedergabeformen im Vergleich zwischen zwei Literaturtypen von gegensätzlichen Enden des Spektrums: Hochliteratur – definiert als Werke, die auf der Auswahlliste von Literaturpreisen standen – und Heftromanen, massenproduzierten Erzählwerken, die zumeist über den Zeitschriftenhandel vertrieben werden und früher abwertend als „Romane der Unterschicht” (Nusser 1981) bezeichnet wurden. Unsere These ist, dass sich diese Literaturtypen hinsichtlich ihrer Erzählweise unterscheiden, und sich dies in den verwendeten Wiedergabeformen niederschlägt. Der Fokus der Untersuchung liegt auf der Dichotomie zwischen direkter und nicht-direkter Wiedergabe, die schon in der klassischen Rhetorik aufgemacht wurde.
A formal narrative representation is a procedure assigning a formal description to a natural language narrative. One of the goals of the computational models of narrative community is to understand this procedure better in order to automatize it. A formal framework fit for automatization should allow for objective and reproducible representations. In this paper, we present empirical work focussing on objectivity and reproducibility of the formal framework by Vladimir Propp (1928). The experiments consider Propp’s formalization of Russian fairy tales and formalizations done by test subjects in the same formal framework; the data show that some features of Propp’s system such as the assignment of the characters to the dramatis personae and some of the functions are not easy to reproduce.