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We present zu-excessive structures like Otto ist zu schwer ‘Otto is too heavy’ as instantiations of comparatives that have been reflexivized. Comparatives express asymmetric relations between distinguished referents, but reflexivization identifies argument places (or reduces two argument places to one), leading to a Symmetrie relation. Reflexivization is thus in conflict with the asymmetry property of comparatives and leads to an intermediate semantic representation that is con- tradictory. Two experiments substantiate that zu-excessives share this property with privative adjective and animal-for-statue constructions that similarly give rise to contradictory semantics. The processing of any of the constructions mentioned yields a positivity in the event-related-potential signature characteristic of concep- tual reorganization; however, the observed positivity occurs earlier in the case of zu-excessives than in the other cases. We propose this difference is due to zu signalling the mandatory preparation for an ensuing repair rather than reflecting the repair Operation itself that involves manipulating the Standard of comparison, coded elsewhere in the String (if at all).
Strengthening literal meanings of linguistic expressions appears central to communicative success. Weakening on the other hand would appear not to be viable given that literal meaning already grossly underdetermines reality, let alone possibility. We discuss productive weakening in fake-type adjectival modification and present evidence from event-related brain potentials that such weakening has neurophysiological consequences and is qualitatively different from other mechanisms of modification. Specifically, the processing of fake-type constructions (e.g., "a fake diamond") evokes a Late Positivity as characteristic of certain types of referential shift or reconceptualization. We argue that fake-type composition involves an intermediate representation that is semantically contradictory and that the Late Positivity reflects an interface repair mechanism that redresses the contradiction. In contrast, composition involving reputedly over-informative real-type adjectives evokes no comparable processing costs.