Refine
Document Type
- Article (1)
- Part of a Book (1)
- Working Paper (1)
Has Fulltext
- yes (3)
Keywords
- temporality (3) (remove)
Publicationstate
Reviewstate
- Peer-Review (2)
- (Verlags)-Lektorat (1)
Der vorliegende Beitrag setzt sich mit dem computergestützten Transkriptionsverfahren arabisch-deutscher Gesprächsdaten für interaktionsbezogene Untersuchungen auseinander. Zunächst werden wesentliche methodische Herausforderungen der gesprächsanalytischen Arbeit adressiert: Hinsichtlich der derzeitigen Korpustechnologie ermöglicht die Verwendung von arabischen Schriftzeichen in einem mehrsprachigen, bidirektionalen Transkript keine analysegerechte Rekonstruktion von Reziprozität, Linearität und Simultaneität sprachlichen Handelns. Zudem ist die Verschriftung von arabischen Gesprächsdaten aufgrund der unzureichenden (gesprächsanalytischen) Beschäftigung mit den standardfernen Varietäten und gesprochensprachlichen Phänomenen erschwert. Daher widmet sich der zweite Teil des Beitrags den bisher erarbeiteten und erprobten Lösungsansätzen ̶ einem stringenten, gesprächsanalytisch fundierten Transkriptionssystem für gesprochenes Arabisch.
The paper deals with the process of computer-aided transcription regarding Arabic-German data material for interaction-based studies. First of all, it sheds light upon some major methodological challenges posed by the conversation-analytic approaches: due to current corpus technology, the reciprocity, linearity, and simultaneity of linguistic activities cannot be reconstructed in an analytically proper way when using the Arabic characters in multilingual and bidirectional transcripts. The difficulty of transcribing Arabic encounters is also compounded by the fact that Spoken Arabic as well as its varieties and phenomena have not been standardised enough (for conversation-analytic purposes). Therefore, the second part of this paper is dedicated to preliminary, self-developed solutions, namely a systematic method for transcribing Spoken Arabic.
Theater rehearsals have a characteristic temporal organization: They rely on fleeting (talk/embodied conduct) and endurable resources (e.g. manipulation of objects) to accomplish a stage play which has a defined shape. In doing this, participants have to bridge time gaps and they are therefore dependent on practices which are able to prefigure the future in a more sustainable way. Based on video recordings from theater rehearsals I will show the basic operation of these practices: While projections-by-arrangements anticipate the play world verbally, preparations produce material parts of the play world (e.g. attaching props). Finally, I consider more general implications of the differences between “verbalizing” (projections) and “materializing” (preparations) for the temporalities of interactional organization.