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The ubiquity of smartphones has been recognised within conversation analysis as having an impact on conversational structures and on the participants’ interactional involvement. However, most of the previous studies have relied exclusively on video recordings of overall encounters and have not systematically considered what is taking place on the device. Due to the personal nature of smartphones and their small displays, onscreen activities are of limited visibility and are thus potentially opaque for both the co-present participants (“participant opacity”) and the researchers (“analytical opacity”). While opacity can be an inherent feature of smartphones in general, analytical opacity might not be desirable for research purposes. This chapter discusses how a recording set-up consisting of static cameras, wearable cameras and dynamic screen captures allowed us to address the analytical opacity of mobile devices. Excerpts from multi-source video data of everyday encounters will illustrate how the combination of multiple perspectives can increase the visibility of interactional phenomena, reveal new analytical objects and improve analytical granularity. More specifically, these examples will emphasise the analytical advantages and challenges of a combined recording set-up with regard to smartphone use as multiactivity, the role of the affordances of the mobile device, and the prototypicality and “naturalness” of the recorded practices.
In theater as a bodily-spatial art form, much emphasis is placed on the way actors perform movements in space as an important multimodal resource for creating meaning. In theater rehearsals, movements are created in series of directors' instructions and actors' implementations. Directors' instructions on how to conduct a movement often draw on embodied demonstrations in contrast to verbal descriptions. For instance, to instruct an actress to act like a school girl a director can use depictive (he demonstrates the expected behavior) instead of descriptive (“can you act like a school girl”) means. Drawing on a corpus of 400 h video recordings of rehearsal interactions in three German professional theater productions, from which we selected 265 cases, we examine ways to instruct movement-based actions in theater rehearsals. Using a multimodally extended ethnomethodological-conversation analytical approach, we focus on the multimodal details that constitute demonstrations as complex action types. For the present article, we have chosen nine instances, through which we aim to illuminate (1) The difference in using embodied demonstrations versus verbal descriptions to instruct; (2) typical ways directors combine verbal descriptions with embodied demonstrations in their instructions. First, we ask what constitutes a demonstration and what it achieves in comparison to verbal descriptions. Using a typical case, we illustrate four characteristics of demonstrations that all of the cases we studied share. Demonstrations (1) are embedded in instructional activities; (2) show and do not tell; (3) are responded to by emulating what was shown; (4) are rhetorically shaped to convey the instruction's focus. However, none of the 265 demonstrations we investigated were produced without verbal descriptions. In a second step we therefore ask in which typical ways verbal descriptions accompany embodied demonstrations when directors instruct actors how to play a scene. We distinguish four basic types. Verbal descriptions can be used (1) to build the demonstration itself; (2) to delineate a demonstration verbally within an instruction; (3) to indicate positive (what should be done) and negative (what should be avoided) versions of demonstrations; (4) as an independent means to describe the instruction's focus in addition to the demonstration. Our study contributes to research on how embodied resources are used to create meaning and how they combine with and depend on verbal resources.
Transkriptionswerkzeuge sind spezialisierte Softwaretools für die Transkription und Annotation von Audio- oder Videoaufzeichnungen gesprochener Sprache. Dieses Kapitel erklärt einleitend, worin der zusätzliche Nutzen solcher Werkzeuge gegenüber einfacher Textverarbeitungssoftware liegt, und gibt dann einen Überblick über grundlegende Prinzipien und einige weitverbreitete Tools dieser Art. Am Beispiel der Editoren FOLKER und OrthoNormal wird schließlich der praktische Einsatz zweier Werkzeuge in den Arbeitsabläufen eines Korpusprojekts illustriert.
Cet article se fonde sur une collection de répétitions suite à un chevauchement, tirée de données vidéo en allemand et en français. La description systématique de cet outil de reprise de tour articule une comparaison entre cas clairs et cas déviants de ce phénomène. Il est démontré que le recyclage est aussi bien une ressource du locuteur suivant que du locuteur en cours.
Genau tritt im aktuellen Sprachgebrauch nicht nur in seiner klassischen Bedeutung als Adjektiv oder Adverb auf, sondern wird auch als Fokus- bzw. Gradpartikel sowie Gesprächspartikel verwendet. Bisherige Beschreibungen haben sich nur in geringem Maße und unter Verwendung heterogener Begriffe mit seinem interaktionalen Gebrauch auseinandergesetzt. In diesem Beitrag werden mit Hilfe eines sequenziellen und multimodalen Ansatzes verschiedene interaktionale Verwendungen von genau in Videoaufnahmen deutscher Alltagsgespräche untersucht. Ausgehend von seiner Funktion als Gradpartikel wird genau sowohl als redebeitragsinterne Bestätigungspartikel in Wortfindungsprozessen als auch als responsive Bestätigungspartikel eingesetzt. Da genau häufig das Ende eines Verstehensprozesses bzw. einer Wissensverhandlung markiert, könnte allgemeiner die Bezeichnung des Intersubjektivitätsmarkers in Erwägung gezogen werden. Aus dem responsiven, bestätigenden Gebrauch heraus entsteht eine stärker sequenzschließende und sequenzstrukturierende Funktion von genau, woraus sich auch der zunehmende Gebrauch dieses Lexems als rein diskursstrukturierende Partikel innerhalb eines Redezugs erklären könnte.
Since Lerner coined the notion of delayed completion in 1989, this recurrent social practice of continuing one’s speaking turn while disregarding an intermediate co-participant’s utterance has not been investigated with regard to embodied displays and actions. A sequential approach to videotaped mundane conversations in German will explain the occurrence and use of delayed completions. First, especially in multi-party and multi-activity settings, delayed completions can result from reduced monitoring and coordinating activities. Second, recipients can use intra-turn response slots for more extended responsive actions than the current speaker initially projected, leading to delayed completion sequences. Finally, delayed completions are used for blocking possibly misaligned co-participant actions. The investigation of visible action illustrates that delayed completions are a basic practice for retrospectively managing co-participant response slots.
As open class repair initiators (OCRIs, e.g., “what” or “huh”) do not specify the type of repairable, choosing an adequate repair format in the next turn becomes a practical problem for the participants. Whereas in monolingual/L1 speaker conversations participants typically orient towards troubles caused by reduced acoustic intelligibility or by topical/sequential disjunction, in multilingual/L2 interactions possible problems regarding asymmetric language choices and skills can be added – and might be responded to accordingly. Based on videotaped international business meetings and interactions at a customs post, this paper investigates various open class and embodied other-initiations of repair. By means of a conversation analytical and multimodal approach to social interaction, this contribution focuses first on instances of audible OCRIs and illustrates that they are accompanied by embodied conduct. Second, two types of embodied other-initiation of repair are scrutinized: a lifted eyebrows/head display and a freeze display in which movements are suspended. The analysis shows that participants treat these as referring either to troubles in hearing (display 1) or to troubles in understanding the linguistic format (display 2). This leads to the formulation of further desiderata and analytical challenges regarding the multimodal other-initiation of repair in general and in professional international settings in particular.
Lean syntax: how argument structure is adapted to its interactive, material, and temporal ecology
(2020)
It has often been argued that argument structure in spoken discourse is less complex than in written discourse. This paper argues that lean argument structure, in particular, argument omission, gives evidence of how the production and understanding of linguistic structures is adapted to the interactive, material, and temporal ecology of talk-in-interaction. It is shown how lean argument structure builds on participants' ongoing bodily conduct, joint perceptual salience, joint attention, and their Orientation to expectable next actions within a joint project. The phenomena discusscd in this paper are verb-derived discourse markers and tags, analepsis in responsive actions, and ellipsis in first actions, such as requests and instructions. The study draws from transcripts and audio- and video-recordings of naturally occurring interaction in German from the Research and Teaching Corpus of Spoken German (FOLK).
Mit dem sogenannten Practice Turn werden in den Sozialwissenschaften aber auch in der Linguistik die Materialität und Körperlichkeit, die Routine und der Performanz-Charakter des Sozialen betont. Damit geht aber einher, dass vor allem in den radikaleren Ansätzen, die sich explizit gegen einen Handlungsbegriff stellen, die Aussparung des Subjektiven zu theoretischen wie methodologischen Problemen führt. Auf Basis einer reflexiven Zuwendung zu unseren eigenen Praktiken der interpretativen Videoanalyse zeigen wir einerseits, welche Beiträge die Praxisperspektive liefern kann, weisen aber auch auf die Rolle der Subjektivität der Beobachtenden hin. Diese Verbindung beider Perspektiven leistet der umfassendere Begriff des kommunikativen Handelns, auf dessen Grundlage die Sozialität der Praktiken nicht mehr nur postuliert wird, sondern ihr Zustandekommen aus den Prozessen der Routinisierung, Habitualisierung und Institutionalisierung des Handelns erklärt werden kann.
Researchers interested in the sounds of speech or the physical gestures of Speakers make use of audio and video recordings in their work. Annotating these recordings presents a different set of requirements to the annotation of text. Special purpose tools have been developed to display video and audio Signals and to allow the creation of time-aligned annotations. This chapter reviews the most widely used of these tools for both manual and automatic generation of annotations on multimodal data.