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The ubiquity of smartphones has been recognised within conversation analysis as having an impact on conversational structures and on the participants’ interactional involvement. However, most of the previous studies have relied exclusively on video recordings of overall encounters and have not systematically considered what is taking place on the device. Due to the personal nature of smartphones and their small displays, onscreen activities are of limited visibility and are thus potentially opaque for both the co-present participants (“participant opacity”) and the researchers (“analytical opacity”). While opacity can be an inherent feature of smartphones in general, analytical opacity might not be desirable for research purposes. This chapter discusses how a recording set-up consisting of static cameras, wearable cameras and dynamic screen captures allowed us to address the analytical opacity of mobile devices. Excerpts from multi-source video data of everyday encounters will illustrate how the combination of multiple perspectives can increase the visibility of interactional phenomena, reveal new analytical objects and improve analytical granularity. More specifically, these examples will emphasise the analytical advantages and challenges of a combined recording set-up with regard to smartphone use as multiactivity, the role of the affordances of the mobile device, and the prototypicality and “naturalness” of the recorded practices.
In theater as a bodily-spatial art form, much emphasis is placed on the way actors perform movements in space as an important multimodal resource for creating meaning. In theater rehearsals, movements are created in series of directors' instructions and actors' implementations. Directors' instructions on how to conduct a movement often draw on embodied demonstrations in contrast to verbal descriptions. For instance, to instruct an actress to act like a school girl a director can use depictive (he demonstrates the expected behavior) instead of descriptive (“can you act like a school girl”) means. Drawing on a corpus of 400 h video recordings of rehearsal interactions in three German professional theater productions, from which we selected 265 cases, we examine ways to instruct movement-based actions in theater rehearsals. Using a multimodally extended ethnomethodological-conversation analytical approach, we focus on the multimodal details that constitute demonstrations as complex action types. For the present article, we have chosen nine instances, through which we aim to illuminate (1) The difference in using embodied demonstrations versus verbal descriptions to instruct; (2) typical ways directors combine verbal descriptions with embodied demonstrations in their instructions. First, we ask what constitutes a demonstration and what it achieves in comparison to verbal descriptions. Using a typical case, we illustrate four characteristics of demonstrations that all of the cases we studied share. Demonstrations (1) are embedded in instructional activities; (2) show and do not tell; (3) are responded to by emulating what was shown; (4) are rhetorically shaped to convey the instruction's focus. However, none of the 265 demonstrations we investigated were produced without verbal descriptions. In a second step we therefore ask in which typical ways verbal descriptions accompany embodied demonstrations when directors instruct actors how to play a scene. We distinguish four basic types. Verbal descriptions can be used (1) to build the demonstration itself; (2) to delineate a demonstration verbally within an instruction; (3) to indicate positive (what should be done) and negative (what should be avoided) versions of demonstrations; (4) as an independent means to describe the instruction's focus in addition to the demonstration. Our study contributes to research on how embodied resources are used to create meaning and how they combine with and depend on verbal resources.
Transkriptionswerkzeuge sind spezialisierte Softwaretools für die Transkription und Annotation von Audio- oder Videoaufzeichnungen gesprochener Sprache. Dieses Kapitel erklärt einleitend, worin der zusätzliche Nutzen solcher Werkzeuge gegenüber einfacher Textverarbeitungssoftware liegt, und gibt dann einen Überblick über grundlegende Prinzipien und einige weitverbreitete Tools dieser Art. Am Beispiel der Editoren FOLKER und OrthoNormal wird schließlich der praktische Einsatz zweier Werkzeuge in den Arbeitsabläufen eines Korpusprojekts illustriert.
Lean syntax: how argument structure is adapted to its interactive, material, and temporal ecology
(2020)
It has often been argued that argument structure in spoken discourse is less complex than in written discourse. This paper argues that lean argument structure, in particular, argument omission, gives evidence of how the production and understanding of linguistic structures is adapted to the interactive, material, and temporal ecology of talk-in-interaction. It is shown how lean argument structure builds on participants' ongoing bodily conduct, joint perceptual salience, joint attention, and their Orientation to expectable next actions within a joint project. The phenomena discusscd in this paper are verb-derived discourse markers and tags, analepsis in responsive actions, and ellipsis in first actions, such as requests and instructions. The study draws from transcripts and audio- and video-recordings of naturally occurring interaction in German from the Research and Teaching Corpus of Spoken German (FOLK).
Mit dem sogenannten Practice Turn werden in den Sozialwissenschaften aber auch in der Linguistik die Materialität und Körperlichkeit, die Routine und der Performanz-Charakter des Sozialen betont. Damit geht aber einher, dass vor allem in den radikaleren Ansätzen, die sich explizit gegen einen Handlungsbegriff stellen, die Aussparung des Subjektiven zu theoretischen wie methodologischen Problemen führt. Auf Basis einer reflexiven Zuwendung zu unseren eigenen Praktiken der interpretativen Videoanalyse zeigen wir einerseits, welche Beiträge die Praxisperspektive liefern kann, weisen aber auch auf die Rolle der Subjektivität der Beobachtenden hin. Diese Verbindung beider Perspektiven leistet der umfassendere Begriff des kommunikativen Handelns, auf dessen Grundlage die Sozialität der Praktiken nicht mehr nur postuliert wird, sondern ihr Zustandekommen aus den Prozessen der Routinisierung, Habitualisierung und Institutionalisierung des Handelns erklärt werden kann.
Researchers interested in the sounds of speech or the physical gestures of Speakers make use of audio and video recordings in their work. Annotating these recordings presents a different set of requirements to the annotation of text. Special purpose tools have been developed to display video and audio Signals and to allow the creation of time-aligned annotations. This chapter reviews the most widely used of these tools for both manual and automatic generation of annotations on multimodal data.