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With the advent of mobile devices, mediatized political discourse became more dynamic. I assume that the microblog Twitter can be considered as a medium for spatial coordination during protests. Therefore, the case of neo-Nazi demonstrations and counter-protests in the city of Dresden that occurred in February 2012 is analysed. Data consists of microposts that occurred during the event. Quantitative analysis of hashtag and retweet frequencies was performed as well as qualitative speech act pattern analysis and a tempo-spatial discourse analysis on selected subsets of microposts. Results show that a common linguistic practice is verbal georeferencing and by that constructing space. Empirical analysis indicates a strong relation between communicational online space and physical offline place: Protest participants permanently reconfigure spatial context discursively and thus the contested protest area becomes a temporarily meaningful place.
In recent times presentations have drawn the attention of scientific interest as a new form of communication. In visualization of abstract structures or relationships in scholarly presentations using diagrams, different medial layers of meaning are conjoined in a very special way. The present paper examines firstly the multimodal structure of presentations and the mechanisms of establishing cross-modality coherence. Then the results of a reception experiment are discussed that gives rise to the assumption that multimodality can in fact improve the understanding of scholarly presentations. In the final part of the paper the production of an abstract visualization in a scholarly presentation is exemplified with regard to the solution of disambiguation and linearization problems. We claim that abstract visualizations in presentations are used to produce narratives by the speaker, and without such narratives this kind of visualization cannot be understood properly.
An experiment on the English caused motion construction in adult- and child-directed speech was conducted to assess in how far (i) verbal frequency biases and (ii) a register-specific preference for explicit and redundant coding influence speakers' selection of argument structure constructions during speaking. Subjects retold the contents of short cartoon video clips to adult and child interaction partners. The stimuli showed events of caused motion which suggested designations with verbs for which caused motion-complementation was either (i) uncommon/unattested, (ii) conventional or (iii) the dominant usage in a sample extracted from the BNC. The results show a significant tendency to avoid more compacted coding (using the caused motion construction instead of a possible two-clause paraphrase) in child-directed speech. At the same time, they also point to an interaction between the register-specific preference for explicitness and verbs' relative conventionality in the construction that neutralizes the effect for verbs that are highly frequent in the target environment.
Interested in formally modelling similarity between narratives, we investigate judgements of similarity between narratives in a small corpus of film reviews and book–film comparisons. A main finding is that judgements tend to concern multiple levels of story representation at once. As these texts are pragmatically related to reception contexts, we find many references to reception quality and optimality. We conclude that current formal models of narrative can not capture the task of naturalistic narrative comparisons given in the analysed reviews, but that the development of models containing a more reception-oriented point of view will be necessary.
The understanding of story variation, whether motivated by cultural currents or other factors, is important for applications of formal models of narrative such as story generation or story retrieval. We present the first stage of an experiment to elicit natural narrative variation data suitable for evaluation with respect to story similarity, to qualitative and quantitative analysis of story variation, and also for data processing. We also present few preliminary results from the first stage of the experiment, using Red Riding Hood and Romeo and Juliet as base texts.
Based on German speaking data from various activity types, the range of multimodal resources used to construct turn-beginnings is reviewed. It is claimed that participants in talk-in-interaction need to deal with four tasks in order to construct a turn which precisely fits the interactional moment of its production:
1. Achieve joint orientation: The accomplishment of the socio-spatial prerequisites necessary for producing a turn which is to become part of the participants’ common ground.
2. Display uptake: Next speaker needs to display his/her understanding of the interaction so far as the backdrop on which the production of the upcoming turn is based.
3. Deal with projections from prior talk: The speaker has to deal with projections which have been established by (the) previous turn(s) with respect to the upcoming turn.
4. Project properties of turn-in-progress: The speaker needs to orient the recipient to properties of the turn s/he is about to produce.
Turn-design thus can be seen to be informed by tasks related to the multimodal, embodied, and interactive contingencies of online-construction of turns. The four tasks are ordered in terms of prior tasks providing the prerequisite for accomplishing a later task.
Der Aufsatz gibt einen Überblick über die Arten von Nebensätzen im Deutschen. Er beschreibt ihre syntaktischen Funktionen und Strukturen anhand des Felderschemas. Auf drei Gesichtspunkte wird detaillierter eingegangen: nebensatzspezifische Funktionen von (i) Pronomina und (ii) Vergleichspartikeln sowie (iii) die Rolle von Nebensätzen bei der Satzspaltung. Der Aufsatz kann im Universitätsunterricht und als Grundlage für Untersuchungen in vergleichender Syntax genutzt werden.
This article advocates an understanding of ‘positioning’ as a key to the analysis of identities in interaction within the methodological framework of conversation analysis. Building on research by Bamberg, Georgakopoulou and others, a performative, interaction-based approach to positioning is outlined and compared to membership categorization analysis. An interactional episode involving mock stories to reveal and reproach an inadequate identity-claim of a co-participant is analysed both in terms of practices of membership categorization and positioning. It is concluded that membership categorization is a core element of positioning. Still, positioning goes beyond membership categorization in a) revealing biographical dimensions accomplished by narration and b) by uncovering implicit performative claims of identity, which are not established by categorization or description.