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How do people communicate in mobile settings of interaction? How does mobility affect the way we speak? How does mobility exert influence on the manner in which talk itself is consequential for how we move in space? Recently, questions of this sort have attracted increasing attention in the human and social sciences. This Special Issue contributes to the emerging body of studies on mobility and talk by inspecting an ordinary and ubiquitous phenomenon in which communication among mobile participants is paramount: participation in traffic. This editorial presents previous work on mobility in natural settings, as carried out by interactionally oriented researchers. It also shows how the investigation into traffic participation adds new perspectives to research on language and communication.
This paper asks whether and in which ways managing coordination tasks in traffic involve the accomplishment of intersubjectivity. Taking instances of coordinating passing an obstacle with oncoming traffic as the empirical case, four different practices were found.
1. Intersubjectivity can be presupposed by expecting others to stick to the traffic code and other mutually shared expectations.
2. Intersubjective solutions emerge step by step by mutual responsive-anticipatory adaptation of driving decisions.
3. Intersubjectivity can be accomplished by explicit interactive negotiation of passages.
4. Coordination problems can be solved without relying on intersubjectivity by unilateral, responsive-anticipatory adaptation to others’ behaviors.
Der Beitrag plädiert für eine Untersuchung der gesprochenen Sprache als integralem Bestandteil multimodaler Interaktionspraktiken. Das leibliche Handeln bildet die Infrastruktur für die Verwendung von Sprache, es schafft Bedingungen, Möglichkeiten und Motivationen für die Verwendung spezifischer sprachlicher Strukturen; umgekehrt wird es seinerseits durch sprachliches Handeln organisiert. Zunächst werden in dem Beitrag grundlegende Eigenschaften multimodaler Interaktion dargestellt: die Vielfalt der leiblichen Handlungsressourcen und ihre Koordination, Sequenzialität und Simultaneität von Aktivitäten, multimodale Beteiligung an der Interaktion, der Stellenwert von Raum, Objekten, Multiaktivität und Bewegung. Ebenso wird kurz auf die methodischen Grundlagen der Untersuchung eingegangen: Videoaufnahme und multimodale Transkription. An drei sprachlichen Phänomenbereichen wird dann exemplarisch gezeigt, wie sprachliche Praktiken durch ihr Zusammenspiel mit anderen leiblichen Ressourcen der Kommunikation geprägt sind. Im Einzelnen geht es um die Disambiguierung sprachlicher Praktiken durch ihre Koordination mit anderen Ressourcen, die Erweiterung sprachlicher Strukturen, die aufgrund von Rezipientenreaktionen simultan zur Turn-Produktion stattfindet, und die Verwendungen minimaler Referenzformen, die sich auf die multimodale Ko-Orientierung der Beteiligten stützt.
This paper analyses paramedic emergency interaction as multimodal multiactivity. Based on a corpus of video-recordings of emergency drills performed by professional paramedics during advanced training, the focus is on paramedics’ participation in multiple joint projects which become simultaneously relevant. Simultaneity and fast succession of multiactivity does not only characterise work on the team level, but also the work profile of the individual paramedic. Participants have to coordinate their own participation in more than one joint project intrapersonally. In the data studied, three patterns of allocating multimodal resources stood out as routine ways of coordinating participation in two simultaneous projects intrapersonally:
1. Talk and hearing vs. manual action monitored by gaze,
2. Talk and hearing vs. gazing (and pointing),
3. Manual action vs. gaze (and talk and hearing).
Cet article étudie les définitions en contexte d’instructions dans les leçons d’auto-école. Les observations s’appuient sur un corpus de 70 heures de leçons enregistrées par vidéo en Allemagne. Le moniteur utilise des définitions pour introduire des nouvelles expressions techniques qui sont étroitement liées aux buts de l’apprentissage de conduite. Pour leur production, l’emploi des ressources multimodales est fondamental. La définition ostensive par pointage et une assertion existentielle (ça/ici c’est X) est complétée par des définitions descriptives et des démonstrations gestuelles du maniement des objets. L’objectif des actes de définition ici n’est pas de délivrer une définition de l’expression en soi, qui soit valable pour tous les contextes possibles, mais de produire une définition qui soit efficace dans le contexte pratique concerné. Les définitions donc sont plutôt fragmentées, indexicales et situées, et elles sont adaptées aux pré-connaissances de l’interlocuteur.
Based on German speaking data from various activity types, the range of multimodal resources used to construct turn-beginnings is reviewed. It is claimed that participants in talk-in-interaction need to deal with four tasks in order to construct a turn which precisely fits the interactional moment of its production:
1. Achieve joint orientation: The accomplishment of the socio-spatial prerequisites necessary for producing a turn which is to become part of the participants’ common ground.
2. Display uptake: Next speaker needs to display his/her understanding of the interaction so far as the backdrop on which the production of the upcoming turn is based.
3. Deal with projections from prior talk: The speaker has to deal with projections which have been established by (the) previous turn(s) with respect to the upcoming turn.
4. Project properties of turn-in-progress: The speaker needs to orient the recipient to properties of the turn s/he is about to produce.
Turn-design thus can be seen to be informed by tasks related to the multimodal, embodied, and interactive contingencies of online-construction of turns. The four tasks are ordered in terms of prior tasks providing the prerequisite for accomplishing a later task.
Overtaking as an interactional achievement : video analyses of participants' practices in traffic
(2018)
In this article we pursue a systematic and extensive study of overtaking in traffic as an interactional event. Our focus is on the accountable organisation and accomplishment of overtaking by road users in real-world traffic situations. Data and analysis are drawn from multiple research groups studying driving from an ethnomethodological and conversation analytic perspective. Building on multimodal and sequential analyses of video recordings of overtaking events, the article describes the shared practices which overtakers and overtaken parties use in displaying, recognizing and coordinating their manoeuvres. It examines the three sequential phases of an overtaking event: preparation and projection; the overtaking proper; the re-alignment post-phase including retrospective accounts and assessments. We identify how during each of these phases drivers and passengers organize intra-vehicle and inter-vehicle practices: driving and non-driving related talk between vehicle- occupants, the emerging spatiotemporal ecology of the road, and the driving actions of other road users. The data is derived from a two camera set-up recording the road ahead and car interior. The recordings are from three settings: daily commuting, driving lessons, race-car coaching. The events occur on a variety of road types (motorways, country roads, city streets, a race track, etc.), in six languages (English, Finnish, French, German, Italian, and Swedish) and in seven countries (Australia, Finland, France, Germany, Sweden, Switzerland, and the UK). From an exceptionally diverse collection of video data, the study of which is made possible thanks to the innovative collaboration of multiple researchers, the article exhibits the range of practical challenges and communicative skills involved in overtaking.
Using video-recordings from one day of a theater project for young adults, this paper investigates how the meaning of novel verbal expressions is interactionally constituted and elaborated over the interactional history of a series of activities. We examine how the theater director introduces and instructs the group in the Chekhovian technique of acting, which is based on “imagining with the body,” and how the imaginary elements of the technique are “brought into existence” in the language of the instructions. By tracking shifts in the instructor’s use of the key expressions invisible/imaginary/inner body or movement through a series of exercises, we demonstrate how they are increasingly treated as real and perceivable bodily conduct. The analyses focus on the instructor’s attribution of factual and agentive properties to these expressions, and the changes that these properties undergo over the series of instructions. This case demonstrates the significance of longitudinal processes for the establishment of shared meaning in social interaction. The study thereby contributes to the field of interactional semantics and to longitudinal studies of social interaction.
Using multimodal conversation analysis, we investigate how novices learning the “inner body” acting technique in the context of a community theater project share their experiences of the bodily exercises through verbal and embodied conduct. We focus on how verbal description and bodily enactment of the experience mutually elaborate each other, and how the experienced sensorimotor and affective qualities are made to be witnessed and recognized by the others. Participants describe their experiences without naming qualities. Instead, a display of the experienced qualities is made accessible to others through coordinating the unfolding talk and bodily conduct. In particular, we show how grammatical and action projection is fulfilled by interconnected verbal and embodied conduct, with body movement and posture giving off ineffable experiential qualities. The moving body appears both as a source of the experience and as a resource for depicting perceived qualities to others; additional resources (non-specific person reference and gaze aversion) contribute to organizing the subjective and intersubjective layers of the reflection of the experiences. The study contributes to and extends recent research on sensoriality in interaction by focusing on phenomena of proprioception and interoception. The data are two cases drawn from 60 h of video-recordings made in the context of a devised community theater project. The data are in Finnish with English translations.
In theater as a bodily-spatial art form, much emphasis is placed on the way actors perform movements in space as an important multimodal resource for creating meaning. In theater rehearsals, movements are created in series of directors' instructions and actors' implementations. Directors' instructions on how to conduct a movement often draw on embodied demonstrations in contrast to verbal descriptions. For instance, to instruct an actress to act like a school girl a director can use depictive (he demonstrates the expected behavior) instead of descriptive (“can you act like a school girl”) means. Drawing on a corpus of 400 h video recordings of rehearsal interactions in three German professional theater productions, from which we selected 265 cases, we examine ways to instruct movement-based actions in theater rehearsals. Using a multimodally extended ethnomethodological-conversation analytical approach, we focus on the multimodal details that constitute demonstrations as complex action types. For the present article, we have chosen nine instances, through which we aim to illuminate (1) The difference in using embodied demonstrations versus verbal descriptions to instruct; (2) typical ways directors combine verbal descriptions with embodied demonstrations in their instructions. First, we ask what constitutes a demonstration and what it achieves in comparison to verbal descriptions. Using a typical case, we illustrate four characteristics of demonstrations that all of the cases we studied share. Demonstrations (1) are embedded in instructional activities; (2) show and do not tell; (3) are responded to by emulating what was shown; (4) are rhetorically shaped to convey the instruction's focus. However, none of the 265 demonstrations we investigated were produced without verbal descriptions. In a second step we therefore ask in which typical ways verbal descriptions accompany embodied demonstrations when directors instruct actors how to play a scene. We distinguish four basic types. Verbal descriptions can be used (1) to build the demonstration itself; (2) to delineate a demonstration verbally within an instruction; (3) to indicate positive (what should be done) and negative (what should be avoided) versions of demonstrations; (4) as an independent means to describe the instruction's focus in addition to the demonstration. Our study contributes to research on how embodied resources are used to create meaning and how they combine with and depend on verbal resources.
In workplace settings, skilled participants cooperate on the basis of shared routines in smooth and often implicit ways. Our study shows how interactional histories provide the basis for routine coordination. We draw on theater rehearsals as a perspicuous setting for tracking interactional histories. In theater rehearsals, the process of building performing routines is in focus. Our study builds on collections of consecutive performances of the same instructional task coming from a corpus of video-recordings of 30 h of theater rehearsals of professional actors in German. Over time, instructions and their implementations are routinely coordinated by virtue of accumulated shared interactional experience: Instructions become shorter, the timing of responses becomes increasingly compacted and long negotiations are reduced to a two-part sequence of instruction and implementation. Overall, a routine of how to perform the scene emerges. Over interactional histories, patterns of projection of next actions emanating from instructions become reliable and can be used by respondents as sources for anticipating and performing relevant next actions. The study contributes to our understanding of how shared knowledge and routines accumulate over shared interactional experiences in publicly performed and reciprocally perceived ways and how this impinges on the efficiency of joint action.