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This paper aims to describe different patterns of syntactic extensions of turns-at-talk in mundane conversations in Czech. Within interactional linguistics, same-speaker continuations of possibly complete syntactic structures have been described for typologically diverse languages, but have not yet been investigated for Slavic languages. Based on previously established descriptions of various types of extensions (Vorreiter 2003; Couper-Kuhlen & Ono 2007), our initial description shall therefore contribute to the cross-linguistic exploration of this phenomenon. While all previously described forms for continuing a turn-constructional unit seem to exist in Czech, some grammatical features of this language (especially free word order and strong case morphology) may lead to problems in distinguishing specific types of syntactic extensions. Consequently, this type of language allows for critically evaluating the cross-linguistic validity of the different categories and underlines the necessity of analysing syntactic phenomena within their specific action contexts.
Bisherige linguistische Studien zum mündlichen Erzählen beziehen sich vornehmlich auf die Beschreibung verbaler und vokaler Verfahren. Erzählen findet jedoch häufig unter den Bedingungen der zeitlich-räumlichen Ko-Präsenz der SprecherInnen statt, die den Gebrauch von körperlichen und materiellen Ressourcen ermöglicht. Der vorliegende einleitende Beitrag des Themenheftes modelliert Erzählen daher als körpergebundene und verkörperlichte Praktik, die es im Rahmen von interaktionalen und sequenzorientierten Analyseansätzen zu beschreiben gilt. Im Anschluss an die Darstellung von Entwicklungslinien der soziolinguistischen und interaktional-gesprächsanalytischen Untersuchung konversationellen Erzählens wird ein Überblick über bisherige Befunde zur multimodalen Ausgestaltung des Erzählens in der face-to-face-Interaktion gegeben. Abschließend werden grundlegende Fragestellungen skizziert, deren Beantwortung im Rahmen einer multimodalen Erzählanalyse die tatsächliche Alltagspraxis des Erzählens umfassender zu erschließen vermag.
Comparaison de deux marqueurs d’affirmation dans des séquences de co-construction: voilà et genau
(2016)
This contribution investigates the German response particle genau and the French response particle voilà within collaborative turn sequences in videotaped ordinary conversations. Adopting a conversation analytic approach to cross-linguistic comparison, I will show that the basic epistemic value of both particles allows them to be used in similar sequential environments. When a co-participant formulates a candidate conclusion in environments where it can be easily inferred from previous talk, first speakers may confirm the adequacy of the pre-emptive completion by voilà or genau. These particles may then also be followed by self- or other-repeats. The analyses aim to illustrate that participants rely on a variety of practices in order to positively assess a pre-emptive completion, and to refute a supposed binary opposition of refusal vs. acceptance in the receipt slot.
Cette contribution propose une analyse qualitative et quantitative des reformulations sur des données interactionnelles. Pour la constitution du corpus d’étude, nous nous appuyons sur un outil de détection automatique des hétéro-répétitions, considérées comme indices de reformulation. Après avoir illustré les éléments qui ont présidé à la conception de l’outil, nous présentons le paramétrage de cette ressource, que nous avons testée sur quatre enregistrements de la base de données CLAPI. Cette étude souligne la pertinence de l’approche interactionnelle dans l’analyse des hétéro-répétitions, en en montrant les fonctionnalités multiples, notamment dans les pratiques de reformulation dans la conversation.
This paper offers a detailed analysis of the opening of an international meeting. English Lingua Franca as the official language of the meeting is actively discussed and negotiated by the participants. The analysis highlights the issues identified by the participants themselves in choosing a linguistic regime for their professional exchanges. The English Lingua Franca regime is aimed at facilitating the participation of some of the participants, but creates problems for others, too. The chairman deals with this situation in an embodied way (through his gaze, gesture, bodily postures, and by the way in which he walks through the room), displaying that he orients to different member categories (such as 'anglophone', 'anglophone who can understand French', 'francophile', etc.) as benefitting from or resisting against the definitive language choice.
Cet article se fonde sur une collection de répétitions suite à un chevauchement, tirée de données vidéo en allemand et en français. La description systématique de cet outil de reprise de tour articule une comparaison entre cas clairs et cas déviants de ce phénomène. Il est démontré que le recyclage est aussi bien une ressource du locuteur suivant que du locuteur en cours.
Zu den Beiträgen des Themenhefts.
Die in dem Themenheft versammelten Beiträge setzen sich unter verschiedenen Fragestellungen, im Rahmen unterschiedlicher methodischer Ansätze und jeweils eigener Datensets mit Öffentlichkeit, Privatheit und Anonymität im kommunikativen Handeln mit mobilen Medien auseinander.
This contribution aims to describe privacy, publicness and anonymity as essential analytic dimensions for media linguistic research. The dimensions are not inherent in and predetermined by the technical features and forms of communication provided by mobile devices, but are used by the participants as an orientation grid for shaping their online and offline practices in and with mobile media. Consid-ering both mobile device use in the public realm and the dissemina-tion of increasingly private content in social media (which is said to lead to ‘blurred boundaries’ between the private and the public), the paper provides a brief overview of the main developments in mobile media research: Studies adopting various approaches – e. g. socio-logical-ethnographic, linguistic and media studies – illustrate how publicness, privacy and anonymity are actively shaped and brought about by mobile media users in face-to-face and remote social en-counters. As this shows that publicness, privacy and anonymity are still relevant concepts for users, future media linguistics studies should focus on the dynamic multimodal practices by which they are contextualized and accomplished.
This article investigates mundane photo taking practices with personal mobile devices in the co-presence of others, as well as “divergent” self-initiated smartphone use, thereby exploring the impact of everyday technologies on social interaction. Utilizing multimodal conversation analysis, we examined sequences in which young adults take pictures of food and drinks in restaurants and cafés. Although everyday interactions are abundant in opportunities for accomplishing food photography as a side activity, our data show that taking pictures is also often prioritized over other activities. Through a detailed sequential analysis of video recordings and dynamic screen captures of mobile devices, we illustrate how photographers orient to the momentary opportunities for and relevance of photo taking, that is, how they systematically organize their photographing with respect to the ongoing social encounter and the (projected) changes in the material environment. We investigate how the participants multimodally negotiate the “mainness” and “sideness” (Mondada, 2014) of situated food photography and describe some particular features of participants’ conduct in moments of mundane multiactivity.
Obwohl Smartphones und andere mobile Endgeräte mittlerweile ein fester Bestandteil unseres Alltags sind, betonen öffentliche und wissenschaftliche Diskurse immer noch bevorzugt mögliche negative Auswirkungen ihres Gebrauchs auf Gesundheit und Kommunikationsverhalten. Dieser Beitrag skizziert einen anderen Ansatz zur Analyse alltäglichen Technologiegebrauchs, indem er zunächst auf Studien aus der angewandten Linguistik und insbesondere der interaktionalen Forschung eingeht, die sich auf dessen öffentliche Beobachtbarkeit, Mobilität und Ubiquität konzentrieren. Anhand zweier Auszüge aus videoaufgezeichneten Interaktionen wird dann aufgezeigt, wie eine multimodale und sequentielle Analyse dazu beitragen kann, Technologiegebrauch als eine routinemäßige und geordnete soziale Praktik zu verstehen, die nicht mit sozialem, kooperativem Handeln in Widerspruch steht oder dieses gefährdet. Ein detaillierter Blick auf situierten Smartphonegebrauch in informellen und institutionellen Face-to-Face-Settings lenkt die analytische Aufmerksamkeit weg von einer generisch positiven oder negativen Bewertung der Technologie hin zu verschiedenen interaktionalen Phänomenen, die mit ihrer Handhabung und Erkundung in Zusammenhang stehen. Es wird abschließend argumentiert, dass diese Art von mikroanalytischem Ansatz zu einer facettenreichen und objektiveren Perspektive auf die situierte Nutzung mobiler Geräte beitragen kann.
In German oral discourse, previous research has shown that okay can be used both as a response token (e.g., for agreeing with the previous turn or for claiming a certain degree of understanding) and as a discourse marker (e.g., for closing conversational topics or sequences and/or indicating transitions). This contribution focuses on the use of okay as a response token and how it is connected with the speakers’ interactional state of knowledge (their understanding, their assumptions etc.). The analysis is based on video recorded everyday conversations in German and a sequential, micro-analytic approach (multimodal conversation analysis). The main function of conversational okay in the selected data set is related to indicating the acceptance of prior information. By okay, speakers however claim acceptance of a piece of information that they can’t verify or check. The analysis contrasts different sequences containing okay only with sequences in which change-of-state tokens such as ah and achso co-occur with okay. This illustrates that okay itself does not index prior information as new, and that it is not used for agreeing with or for confirming prior information. Instead it enables the speaker to adopt a kind of neutral, “non-agreeing” position towards a given piece of information.
Dans le cadre de l’ethnométhodologie et de l’analyse conversationnelle, cet article s’intéresse à la production de la parole radiophonique en contexte, telle qu’elle est accomplie en temps réel et de manière située, incarnée et soutenue technologiquement dans le studio. Il vise ainsi à replacer la parole radiophonique dans son écologie matérielle et à l’aborder dans ses processus de production plutôt que comme un produit fini. L’analyse se focalise sur les instants qui précèdent immédiatement la prise de parole des animateurs, sur le moment où ils procèdent aux derniers échanges coordonnant leur parole à l’antenne et où ils mobilisent une série de ressources technologiques juste avant le passage au direct : ils précisent ou confirment les dernières prises de décision concernant ce qu’ils vont dire et la manière de le dire, prennent en main leur casque, le mettent, arrangent le micro, effectuent les derniers réglages de régie. Ce moment révèle les arrangements technologiques – dans la mobilisation de plusieurs artefacts - et interactionnels – dans la mise en œuvre de procédés de coordination et d’ajustement mutuel - complexes qui rendent possible la parole en direct.
This paper investigates self-initiated uses of mobile phones (such as texting or making a call) in everyday video-recorded conversations among Czech speakers. Using ethnomethodological conversation analysis, it illustrates how participants publicly frame their own device use (for example, by announcements), and how co-present interlocutors respond to it. Previous studies have described how participants manage two concurrent communicative involvements, but have not provided detailed sequential descriptions of how device use can be negotiated and accounted for. This study shows that mobile device use in co-presence is not a priori problematic (or vice versa). Instead, participants frame their technology use in different ways according to various features of the social situation they treat as momentarily relevant. These features include the course of the conversation and how the device use relates to it, the overall participation framework and the opacity of the device use for co-present others.
This contribution investigates the use of the Czech particle jako (“like”/“as”) in naturally occurring conversations. Inspired by interactional research on unfinished or suspended utterances and on turn-final conjunctions and particles, the analysis aims to trace the possible development of jako from conjunction to a tag-like particle that can be exploited for mobilizing affiliative responses. Traditionally, jako has been described as conjunction used for comparing two elements or for providing a specification of a first element [“X (is) like Y”]. In spoken Czech, however, jako can be flexibly positioned within a speaking turn and does not seem to operate as a coordinating or hypotactic conjunction. As a result, prior studies have described jako as a polyfunctional particle. This article will try to shed light on the meaning of jako in spoken discourse by focusing on its apparent fuzzy or “filler” uses, i.e., when it is found in a mid-turn position in multi-unit turns and in the immediate vicinity of hesitations, pauses, and turn suspensions. Based on examples from mundane, video-recorded conversations and on a sequential and multimodal approach to social interaction, the analyses will first show that jako frequently frames discursive objects that co-participants should respond to. By using jako before a pause and concurrently adopting specific embodied displays, participants can more explicitly seek to mobilize responsive action. Moreover, as jako tends to cluster in multi-unit turns involving the formulation of subjective experience or stance, it can be shown to be specifically designed for mobilizing affiliative responses. Finally, it will be argued that the potential of jako to open up interactive turn spaces can be linked to the fundamental comparative semantics of the original conjunction.
This study investigates other-initiated repair and its embodied dimension in casual English as lingua franca (ELF) conversations, thereby contributing to the further understanding of multimodal repair practices in social interaction. Using multimodal conversation analysis, we focus on two types of restricted other-initiation of repair (OIR): partial repeats preceded or followed by the question word what (i.e., what X?/X what?) and copular interrogative clauses (i.e., what is X). Partial repeats with what produced with rising final intonation are consistently accompanied by a head poke and treated as relating to troubles in hearing, with the repair usually consisting of a repeat. In contrast to these partial repeats, copular interrogative clauses are produced with downward final intonation and accompanied by face-related embodied conduct. The what is X OIRs primarily target code-switched lexical items, the understanding of which is critical for maintaining the repair initiator’s involvement in the ongoing sequence. This study also contributes some general reflections on the possible complexity of OIR and repair practices from a multimodal perspective.
Der vorliegende Beitrag befasst sich mit Erzählen in seiner massenmedialen Vermittlung in einer Unterhaltungsendung im Fernsehen. Ziel ist es, anhand einer multimodalen und medienlinguistischen Analyse eines exemplarischen Ausschnitts aus der TV-Unterhaltungssendung "Zimmer frei" die Spezifik solcher massenmedialen Erzählungen herauszuarbeiten. Zum einen wird aufgezeigt, dass sich massenmediales Erzählen in seinem sequenziellen Auf- und Ausbau aufgrund seiner Einbindung in ein mediales Unterhaltungsformat in systematischer Weise von Alltagserzählungen unterscheidet. Zum anderen wird veranschaulicht, inwieweit theatrale Inszenierungs- und Aufführungsmittel der Fernsehproduktion die Aktivität des Erzählens mitkonstituieren. Erzählungen im Fernsehen, so die analyseleitende Prämisse, können nicht schlicht als durch das Fernsehen übertragene narrative Aktivitäten konzeptualisiert werden. Vielmehr sind sie durch eine mediale Theatralität mitgeprägt. (Para)verbale, körperliche und mediale Inszenierungs- und Aufführungsverfahren greifen konzertiert ineinander, um Erzählungen als "dramas to an audience" (Goffman 1974:508) hervorzubringen.
Cet article se penche sur un épisode radiophonique durant lequel deux animateurs effectuent un coming out hétérosexuel à l’occasion de la journée internationale du coming out (11 octobre). Dans une perspective issue de l’analyse conversationnelle d’inspiration ethnométhodologique, il étudie une collection d’occurrences de coming out, permettant non seulement d’identifier un format séquentiel récurrent et la manière dont il contribue à l’efficacité de la pratique, mais aussi de réfléchir à la façon dont il peut être utilisé dans différents contextes sociaux, notamment médiatisés et médiatiques. En particulier, l’article montre comment la pratique est au service d’une émission radiophonique sur le coming out et prépare la transition vers le traitement de l’homosexualité à la radio. Grâce à un enregistrement vidéo du travail des animateurs dans le studio de radio, l’article décrit la façon dont le thème de la journée internationale du coming out est fabriqué et orchestré dans les coulisses de la radio et sur les ondes. Ce faisant, il montre la contribution d’une analyse conversationnelle à l’approche du coming out dans les études de genre – où la pratique est largement discutée mais sans être analysée sur la base d’occurrences documentées. L’article revient ainsi sur l’épistémologie du closet chère à Eve Sedgwick, en proposant une anatomie du coming out en contexte médiatisé, qui en éclaire les enjeux non seulement épistémiques mais aussi de normativisation, publicisation et spectacularisation.