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Recipient design is a key constituent of intersubjectivity in interaction. Recipient design of turns is informed by prior knowledge about and shared experience with recipients. Designing turns in order to be maximally effective for the particular recipient(s) is crucial for accomplishing intersubjectively coordinated action. This paper reports on a specific pragmatic structure of recipient design, i.e. counter-factual recipient design, and how it impinges on intersubjectivity in interaction. Based on an analysis of video-recordings data from driving school lessons in German, two kinds of counterfactual recipient design of instructors' requests are distinguished: pedagogic and egocentric turn-design. Counterfactual, pedagogic turn-design is used strategically to diagnose student skills and to create opportunities for corrective instructions. Egocentric turn-design rests on private, non-shared knowledge of the instructor. Egocentrically designed turns imply expectations of how to comply with requests which cannot be recovered by the student and which lead to a breakdown of intersubjective cooperation. This paper identifies practices, sources and interactional consequences of these two kinds of counterfactual recipient design. In addition, the study enhances our understanding of recipient design in at least three ways. It shows that recipient design does not only concern referential and descriptive practices, but also the indexing intelligible projections of next actions; it highlights the productive, other-positioning effects of recipient design; it argues that recipient design should be analyzed in terms of temporally extended interactional trajectories, linking turn-constructional practices to interactional histories and consecutive trajectories of joint action.
Research on multimodal interaction has shown that simultaneity of embodied behavior and talk is constitutive for social action. In this study, we demonstrate different temporal relationships between verbal and embodied actions. We focus on uses of German darf/kann ich? (“may/can I?”) in which speakers initiate, or even complete the embodied action that is addressed by the turn before the recipient’s response. We argue that through such embodied conduct, the speaker bodily enacts high agency, which is at odds with the low deontic stance they express through their darf/kann ich?-TCUs. In doing so, speakers presuppose that the intersubjective permissibility of the action is highly probable or even certain. Moreover, we demonstrate how the speaker’s embodied action, joint perceptual salience of referents, and the projectability of the action addressed with darf/kann ich? allow for a lean syntactic design of darf/kann ich?-TCUs (i.e., pronominalization, object omission, and main verb omission). Our findings underscore the reflexive relationship between lean syntax, sequential organization and multimodal conduct.
Der vorliegende Beitrag beschreibt auf der Basis authentischer Alltagsinteraktionen das Formen- und Funktionsspektrum der äußerungsmodalisierenden Kommen-tarphrase ohne Scheiß im gesprochenen Deutsch. Die Konstruktion wird von Inter-agierenden insbesondere als Ressource zur Steigerung des Geltungsanspruchs einer Bezugsäußerung genutzt, wodurch diese als wahr und/oder ernstgemeint modali-siert wird. Damit leistet ohne Scheiß einen wichtigen Beitrag zur Bearbeitung des Erwartungsmanagements durch den/die SprecherIn sowie zur Herstellung von In-tersubjektivität. Die Konstruktion ist syntaktisch variabel und kann somit Äußerun-gen sowohl prospektiv als auch retraktiv modalisieren. Zudem wird mit der Wahl des Lexem Scheiß ein nähesprachliches Register aktiviert, was in Verbindung mit weiteren (prosodischen und/oder lexikalischen) Elementen zu affektiver Aufladung führen kann. Eine abschließende Darstellung häufiger lexikalischer Kookkurrenz-partner und deren funktionaler Bedeutung sowie ein Abgleich zu intrakonstruktio-nalen Varianten wie ohne Witz/ohne Spaß zeigt die Produktivität der Konstruktion im alltäglichen Sprachgebrauch auf.