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Cet article se penche sur un épisode radiophonique durant lequel deux animateurs effectuent un coming out hétérosexuel à l’occasion de la journée internationale du coming out (11 octobre). Dans une perspective issue de l’analyse conversationnelle d’inspiration ethnométhodologique, il étudie une collection d’occurrences de coming out, permettant non seulement d’identifier un format séquentiel récurrent et la manière dont il contribue à l’efficacité de la pratique, mais aussi de réfléchir à la façon dont il peut être utilisé dans différents contextes sociaux, notamment médiatisés et médiatiques. En particulier, l’article montre comment la pratique est au service d’une émission radiophonique sur le coming out et prépare la transition vers le traitement de l’homosexualité à la radio. Grâce à un enregistrement vidéo du travail des animateurs dans le studio de radio, l’article décrit la façon dont le thème de la journée internationale du coming out est fabriqué et orchestré dans les coulisses de la radio et sur les ondes. Ce faisant, il montre la contribution d’une analyse conversationnelle à l’approche du coming out dans les études de genre – où la pratique est largement discutée mais sans être analysée sur la base d’occurrences documentées. L’article revient ainsi sur l’épistémologie du closet chère à Eve Sedgwick, en proposant une anatomie du coming out en contexte médiatisé, qui en éclaire les enjeux non seulement épistémiques mais aussi de normativisation, publicisation et spectacularisation.
Der vorliegende Beitrag befasst sich mit Erzählen in seiner massenmedialen Vermittlung in einer Unterhaltungsendung im Fernsehen. Ziel ist es, anhand einer multimodalen und medienlinguistischen Analyse eines exemplarischen Ausschnitts aus der TV-Unterhaltungssendung "Zimmer frei" die Spezifik solcher massenmedialen Erzählungen herauszuarbeiten. Zum einen wird aufgezeigt, dass sich massenmediales Erzählen in seinem sequenziellen Auf- und Ausbau aufgrund seiner Einbindung in ein mediales Unterhaltungsformat in systematischer Weise von Alltagserzählungen unterscheidet. Zum anderen wird veranschaulicht, inwieweit theatrale Inszenierungs- und Aufführungsmittel der Fernsehproduktion die Aktivität des Erzählens mitkonstituieren. Erzählungen im Fernsehen, so die analyseleitende Prämisse, können nicht schlicht als durch das Fernsehen übertragene narrative Aktivitäten konzeptualisiert werden. Vielmehr sind sie durch eine mediale Theatralität mitgeprägt. (Para)verbale, körperliche und mediale Inszenierungs- und Aufführungsverfahren greifen konzertiert ineinander, um Erzählungen als "dramas to an audience" (Goffman 1974:508) hervorzubringen.
This study investigates other-initiated repair and its embodied dimension in casual English as lingua franca (ELF) conversations, thereby contributing to the further understanding of multimodal repair practices in social interaction. Using multimodal conversation analysis, we focus on two types of restricted other-initiation of repair (OIR): partial repeats preceded or followed by the question word what (i.e., what X?/X what?) and copular interrogative clauses (i.e., what is X). Partial repeats with what produced with rising final intonation are consistently accompanied by a head poke and treated as relating to troubles in hearing, with the repair usually consisting of a repeat. In contrast to these partial repeats, copular interrogative clauses are produced with downward final intonation and accompanied by face-related embodied conduct. The what is X OIRs primarily target code-switched lexical items, the understanding of which is critical for maintaining the repair initiator’s involvement in the ongoing sequence. This study also contributes some general reflections on the possible complexity of OIR and repair practices from a multimodal perspective.
This contribution investigates the use of the Czech particle jako (“like”/“as”) in naturally occurring conversations. Inspired by interactional research on unfinished or suspended utterances and on turn-final conjunctions and particles, the analysis aims to trace the possible development of jako from conjunction to a tag-like particle that can be exploited for mobilizing affiliative responses. Traditionally, jako has been described as conjunction used for comparing two elements or for providing a specification of a first element [“X (is) like Y”]. In spoken Czech, however, jako can be flexibly positioned within a speaking turn and does not seem to operate as a coordinating or hypotactic conjunction. As a result, prior studies have described jako as a polyfunctional particle. This article will try to shed light on the meaning of jako in spoken discourse by focusing on its apparent fuzzy or “filler” uses, i.e., when it is found in a mid-turn position in multi-unit turns and in the immediate vicinity of hesitations, pauses, and turn suspensions. Based on examples from mundane, video-recorded conversations and on a sequential and multimodal approach to social interaction, the analyses will first show that jako frequently frames discursive objects that co-participants should respond to. By using jako before a pause and concurrently adopting specific embodied displays, participants can more explicitly seek to mobilize responsive action. Moreover, as jako tends to cluster in multi-unit turns involving the formulation of subjective experience or stance, it can be shown to be specifically designed for mobilizing affiliative responses. Finally, it will be argued that the potential of jako to open up interactive turn spaces can be linked to the fundamental comparative semantics of the original conjunction.
This paper investigates self-initiated uses of mobile phones (such as texting or making a call) in everyday video-recorded conversations among Czech speakers. Using ethnomethodological conversation analysis, it illustrates how participants publicly frame their own device use (for example, by announcements), and how co-present interlocutors respond to it. Previous studies have described how participants manage two concurrent communicative involvements, but have not provided detailed sequential descriptions of how device use can be negotiated and accounted for. This study shows that mobile device use in co-presence is not a priori problematic (or vice versa). Instead, participants frame their technology use in different ways according to various features of the social situation they treat as momentarily relevant. These features include the course of the conversation and how the device use relates to it, the overall participation framework and the opacity of the device use for co-present others.
Dans le cadre de l’ethnométhodologie et de l’analyse conversationnelle, cet article s’intéresse à la production de la parole radiophonique en contexte, telle qu’elle est accomplie en temps réel et de manière située, incarnée et soutenue technologiquement dans le studio. Il vise ainsi à replacer la parole radiophonique dans son écologie matérielle et à l’aborder dans ses processus de production plutôt que comme un produit fini. L’analyse se focalise sur les instants qui précèdent immédiatement la prise de parole des animateurs, sur le moment où ils procèdent aux derniers échanges coordonnant leur parole à l’antenne et où ils mobilisent une série de ressources technologiques juste avant le passage au direct : ils précisent ou confirment les dernières prises de décision concernant ce qu’ils vont dire et la manière de le dire, prennent en main leur casque, le mettent, arrangent le micro, effectuent les derniers réglages de régie. Ce moment révèle les arrangements technologiques – dans la mobilisation de plusieurs artefacts - et interactionnels – dans la mise en œuvre de procédés de coordination et d’ajustement mutuel - complexes qui rendent possible la parole en direct.
In German oral discourse, previous research has shown that okay can be used both as a response token (e.g., for agreeing with the previous turn or for claiming a certain degree of understanding) and as a discourse marker (e.g., for closing conversational topics or sequences and/or indicating transitions). This contribution focuses on the use of okay as a response token and how it is connected with the speakers’ interactional state of knowledge (their understanding, their assumptions etc.). The analysis is based on video recorded everyday conversations in German and a sequential, micro-analytic approach (multimodal conversation analysis). The main function of conversational okay in the selected data set is related to indicating the acceptance of prior information. By okay, speakers however claim acceptance of a piece of information that they can’t verify or check. The analysis contrasts different sequences containing okay only with sequences in which change-of-state tokens such as ah and achso co-occur with okay. This illustrates that okay itself does not index prior information as new, and that it is not used for agreeing with or for confirming prior information. Instead it enables the speaker to adopt a kind of neutral, “non-agreeing” position towards a given piece of information.
Obwohl Smartphones und andere mobile Endgeräte mittlerweile ein fester Bestandteil unseres Alltags sind, betonen öffentliche und wissenschaftliche Diskurse immer noch bevorzugt mögliche negative Auswirkungen ihres Gebrauchs auf Gesundheit und Kommunikationsverhalten. Dieser Beitrag skizziert einen anderen Ansatz zur Analyse alltäglichen Technologiegebrauchs, indem er zunächst auf Studien aus der angewandten Linguistik und insbesondere der interaktionalen Forschung eingeht, die sich auf dessen öffentliche Beobachtbarkeit, Mobilität und Ubiquität konzentrieren. Anhand zweier Auszüge aus videoaufgezeichneten Interaktionen wird dann aufgezeigt, wie eine multimodale und sequentielle Analyse dazu beitragen kann, Technologiegebrauch als eine routinemäßige und geordnete soziale Praktik zu verstehen, die nicht mit sozialem, kooperativem Handeln in Widerspruch steht oder dieses gefährdet. Ein detaillierter Blick auf situierten Smartphonegebrauch in informellen und institutionellen Face-to-Face-Settings lenkt die analytische Aufmerksamkeit weg von einer generisch positiven oder negativen Bewertung der Technologie hin zu verschiedenen interaktionalen Phänomenen, die mit ihrer Handhabung und Erkundung in Zusammenhang stehen. Es wird abschließend argumentiert, dass diese Art von mikroanalytischem Ansatz zu einer facettenreichen und objektiveren Perspektive auf die situierte Nutzung mobiler Geräte beitragen kann.
This article investigates mundane photo taking practices with personal mobile devices in the co-presence of others, as well as “divergent” self-initiated smartphone use, thereby exploring the impact of everyday technologies on social interaction. Utilizing multimodal conversation analysis, we examined sequences in which young adults take pictures of food and drinks in restaurants and cafés. Although everyday interactions are abundant in opportunities for accomplishing food photography as a side activity, our data show that taking pictures is also often prioritized over other activities. Through a detailed sequential analysis of video recordings and dynamic screen captures of mobile devices, we illustrate how photographers orient to the momentary opportunities for and relevance of photo taking, that is, how they systematically organize their photographing with respect to the ongoing social encounter and the (projected) changes in the material environment. We investigate how the participants multimodally negotiate the “mainness” and “sideness” (Mondada, 2014) of situated food photography and describe some particular features of participants’ conduct in moments of mundane multiactivity.
Within a rapidly digitalising society, it is important to understand how the learning and teaching of digital skills play out in situ, particularly amongst older adults who acquire these skills later in life. This paper focuses on participants engaged in the process of learning digital skills in adult education courses. Using video recordings from adult education centres in Finland and Germany, we explore how students mobilise their teachers’ assistance when encountering problems with their smartphones, laptops or tablets. Prior research on social interaction has shown that assistance can be recruited through a variety of verbal and embodied formats. In this specific educational setting, participants can use complaints about their digital skills or mobile devices to obtain assistance. Utilising multimodal conversation analysis, we describe two basic sequence types involving students’ complaints, discuss their cross-linguistic characteristics, and reflect on their connection to this educational setting and digital devices.
This contribution aims to describe privacy, publicness and anonymity as essential analytic dimensions for media linguistic research. The dimensions are not inherent in and predetermined by the technical features and forms of communication provided by mobile devices, but are used by the participants as an orientation grid for shaping their online and offline practices in and with mobile media. Consid-ering both mobile device use in the public realm and the dissemina-tion of increasingly private content in social media (which is said to lead to ‘blurred boundaries’ between the private and the public), the paper provides a brief overview of the main developments in mobile media research: Studies adopting various approaches – e. g. socio-logical-ethnographic, linguistic and media studies – illustrate how publicness, privacy and anonymity are actively shaped and brought about by mobile media users in face-to-face and remote social en-counters. As this shows that publicness, privacy and anonymity are still relevant concepts for users, future media linguistics studies should focus on the dynamic multimodal practices by which they are contextualized and accomplished.
Zu den Beiträgen des Themenhefts.
Die in dem Themenheft versammelten Beiträge setzen sich unter verschiedenen Fragestellungen, im Rahmen unterschiedlicher methodischer Ansätze und jeweils eigener Datensets mit Öffentlichkeit, Privatheit und Anonymität im kommunikativen Handeln mit mobilen Medien auseinander.
The theme of the AFinLA 2020 Yearbook Methodological turns in applied language studies is discussed in this introductory article from three interrelated perspectives, variously addressed in the three plenary presentations at the AFinLA Autumn Symposium 2019 as well as in the thirteen contributions to the yearbook. In the first set of articles presented, the authors examine the role and impact of technological development on the study of multimodal digital and non-digital contexts and discourses and ensuing new methods. The second set of studies in the yearbook revisits issues of language proficiency, critically discussing relevant concepts and approaches. The third set of articles explores participation and participatory research approaches, reflecting on the roles of the researcher and the researched community.
Alors que de nombreuses études en analyse conversationnelle se sont intéressées à la manière dont des locuteurs co-construisent un tour de parole (notamment sur le plan syntaxique et prosodique), la façon dont la co-construction est ensuite évaluée n'a pas encore été étudiée en profondeur au sein de la littérature interactionniste. Ici, nous étudions deux pratiques permettant à un locuteur de valider une co-construction, à savoir l'acquiescement simple et l'hétéro-répétition de la complétion. En menant une analyse séquentielle et multimodale de plusieurs séquences de co-construction en français, nous montrons qu’à travers ces deux procédés – qui semblent au premier abord similaires dans leur fonctionnement – les locuteurs effectuent une évaluation très différente : tandis que l'acquiescement simple valide la complétion proposée uniquement comme une version possible, l'hétéro-répétition la valide comme étant une complétion complètement adéquate. Cette contribution met en évidence que les interactants exploitent des ressources audibles aussi bien que visibles afin de manifester si et dans quel sens ils acceptent la complétion de leur tour de parole de la part d’un coparticipant. Nous soulignons l’importance d’étudier en détail les différents formatages possibles des tours évaluant une complétion afin de pouvoir distinguer différentes formes « d’acceptation » et de révéler la manière dont les locuteurs peuvent finement négocier leur position en tant que (co-)auteur ou destinataire d’un tour de parole.
Cet article se fonde sur une collection de répétitions suite à un chevauchement, tirée de données vidéo en allemand et en français. La description systématique de cet outil de reprise de tour articule une comparaison entre cas clairs et cas déviants de ce phénomène. Il est démontré que le recyclage est aussi bien une ressource du locuteur suivant que du locuteur en cours.
Lors de la négociation située de l'alternance des tours de parole en interaction (Sacks, Schegloff et Jefferson, 1974), les participants s'orientent vers la complétude possible des unités de construction de tour. Grâce à une complétion différée d'un tour de parole précédent, un locuteur peut revendiquer son droit à la parole au-delà d'un tour intercalaire d'un autre locuteur. Cet article exploite différentes formes de cette "delayed completion" (Lerner, 1989) en français parlé. À l'aide du cadre théorique de l'Analyse conversationnelle (ten Have, 1999), nous démontrerons que ce procédé ne relève pas uniquement d'une alternance de tour de parole problématique, mais aussi de séquences collaboratives, qui sont en lien étroit avec le phénomène des constructions syntaxiques collaboratives. En s'intéressant à ces structures syntaxiques émergentes, il est possible de démontrer la négociation située et locale - tour par tour – du droit à la parole et de la dynamique de l'alternance des tours en conversation ordinaire. A base d'une collection d'extraits issus d'interactions naturelles enregistrées en audio ou en vidéo, différentes manières de revendiquer ou de partager son tour seront illustrées. Lors des analyses, une attention particulière sera dédiée à quelques phénomènes récurrents dans les séquences de complétion différée. Ainsi, l'exploitation de certaines conjonctions en tant que marqueurs discursifs ou la présence d'allongements vocaliques en fin du premier segment semblent indiquer des co-occurrences de ressources audibles spécifiques à différents types de complétion différée en conversation française.
This presentation deals with collaborative turn-sequences (Lerner 2004), a syntactically coherent unit of talk that is jointly formulated by at least two speakers, in Czech and German everyday conversations. Based on conversation analysis (e.g., Schegloff 2007) and a multimodal approach to social interaction (e.g., Deppermann/Streeck 2018), we aim at comparing recurrent patterns and action types within co-constructional sequences in both languages. The practice of co-constructing turns-at-talk has been described for typologically different languages, especially for English (e.g., Lerner 1996, 2004), but also for languages such as Japanese (Hayashi 2003) or Finnish (Helasvuo 2004). For German, various forms and functions of co-constructions have already been investigated (e.g., Brenning 2015); for Czech, a detailed, interactionally based description is still pending (but see some initial observations in, e.g., Hoffmannová/Homoláč/Mrázková (eds.) 2019). Although the existence of co-constructions in different languages points to a cross-linguistic conversational practice, few explicitly comparative studies exist (see, e.g., Lerner/Takagi 1999, for English and Japanese). The language pair Czech-German has mainly been studied with respect to language contact and without specifically considering spoken language or complex conversational sequences (e.g., Nekula/Šichová/Valdrová 2013). Therefore, our second aim is to sketch out a first comparison of co-constructional sequences in German and Czech, thereby contributing to the growing field of comparative and cross-linguistic studies within conversation analysis (e.g., Betz et al. (eds.) 2021; Dingemanse/Enfield 2015; Sidnell (ed.) 2009). More specifically, we will present three main sequential patterns of co-constructional sequences, focusing on the type of action a second speaker carries out by completing a first speaker’s possibly incomplete turn-at-talk, and on how the initial speaker then responds to
this suggested completion (Lerner 2004). Excerpts from video recordings of Czech and German ordinary conversations will illustrate these recurrent co-constructional sequence types, i.e., offering help during word searches (see example 1 above), displaying understanding, or claiming independent knowledge. The third objective of this paper is to underline the participants’ orientation to similar interactional problems, solved by specific syntactic and/or lexical formats in Czech and German. Considering the more recent focus on the embodied dimension of co-constructional practices (e.g., Dressel 2020), we will also investigate the multimodal formatting of a started utterance as more or less “permeable” (Lerner 1996) for co-participant completion, the participants’ mutual embodied orientation, and possible embodied responses to others’ turn-completions (such as head nods or eyebrow flashes, cf. De Stefani 2021). More generally, this contribution reflects on the possibilities and challenges of a cross-linguistic comparison of complex multimodal sequences.
This paper aims at contributing to the analysis of overlaps in turns-at-talk from both a sequential and a multimodal perspective. Overlaps have been studied within Conversation Analysis by focusing mainly on verbal and vocal resources; taking into account multimodal resources such as gesture, bodily posture, and gaze contributes to a better understanding of participants’ orientations to the sequential organization of overlapping talk and their management of speakership. First, we introduce the way in which overlaps have been studied in Conversation Analysis, mainly by Jefferson (1973, 1983, 2004) and Schegloff (2000); then we propose possible implications of their multimodal analysis. In order to demonstrate that speakers systematically orient to the overlap onset and resolution we analyze the multimodal conduct of overlapped speakers. Findings show methodical variations in trajectories of overlap resolution: speakers’ gestures in overlap display themselves as maintaining or withdrawing their turn, thereby exhibiting the speakership achieved and negotiated during overlap.
This paper offers a detailed analysis of the opening of an international meeting. English Lingua Franca as the official language of the meeting is actively discussed and negotiated by the participants. The analysis highlights the issues identified by the participants themselves in choosing a linguistic regime for their professional exchanges. The English Lingua Franca regime is aimed at facilitating the participation of some of the participants, but creates problems for others, too. The chairman deals with this situation in an embodied way (through his gaze, gesture, bodily postures, and by the way in which he walks through the room), displaying that he orients to different member categories (such as 'anglophone', 'anglophone who can understand French', 'francophile', etc.) as benefitting from or resisting against the definitive language choice.