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On the basis of a single case analysis of the emergence of an ethnic joke, this paper explores issues related to laughter in international business meetings. More particularly, it deals with ways in which a person's name is correctly pronounced. Speakers and co-participants seem to orient towards ‘proper’ ways of vocalizing names and to consequent ‘variations’ or ‘deviations’ from them, making different ways of pronunciation available as a laughable. In making such pronunciation variations available, accountable and recognizable, participants reflexively establish as relevant the multilingual character of the activity, of the participants’ competences and of the setting; conversely, they exploit these multilingual features within specific social practices, leading to laughter.
Our analysis focuses on the contexts of action, the sequential environments and the interactional practices by which the uttering of a name becomes a ‘laughable’ and then a resource for an ethnic joke. Moreover, it explores the implications of transforming the pronunciation into a laughable in terms of the organization of the ongoing activity, changing participation frameworks and membership categorizations. In this sense, it highlights the flexible structure of groups and the way in which laughter reconfigures them through local affiliating and disaffiliating moves, and by making various national categories available and relevant.
Dropping out of overlap is a frequent practice for overlap resolution (Schegloff, 2000, Jefferson, 2004) in interaction, as it re-establishes the “one-at-a-time” principle of the turn-taking system (Sacks et al., 1974). While it is appropriate to analyze the practice of dropping out of overlap as a verbal and thus audible phenomenon, a close look at video data reveals that withdrawing from an action trajectory is also an embodied practice. Based on a fine-grained multimodal analysis (C. Goodwin, 1981, Mondada, 2007a, Mondada, 2007b) of videotaped interactions in French, this paper illustrates how overlapped speakers organize the momentary suspension of their action trajectory in visible ways. Indeed, participants do not instantly withdraw from their action trajectory when they stop talking. By using bodily resources, they are able to display continuous monitoring of the availability of their co-participants and of the next possible slot for resuming their suspended action. I therefore suggest analyzing the drop out of overlap as the first step of withdrawal, as definitive, embodied withdrawal can occur later, or, in case of resumption, not at all. Consequently, my paper analyzes withdrawal as a good example of strengthening the analytic concept of embodiment with regard to turn-taking practices in interaction.
As open class repair initiators (OCRIs, e.g., “what” or “huh”) do not specify the type of repairable, choosing an adequate repair format in the next turn becomes a practical problem for the participants. Whereas in monolingual/L1 speaker conversations participants typically orient towards troubles caused by reduced acoustic intelligibility or by topical/sequential disjunction, in multilingual/L2 interactions possible problems regarding asymmetric language choices and skills can be added – and might be responded to accordingly. Based on videotaped international business meetings and interactions at a customs post, this paper investigates various open class and embodied other-initiations of repair. By means of a conversation analytical and multimodal approach to social interaction, this contribution focuses first on instances of audible OCRIs and illustrates that they are accompanied by embodied conduct. Second, two types of embodied other-initiation of repair are scrutinized: a lifted eyebrows/head display and a freeze display in which movements are suspended. The analysis shows that participants treat these as referring either to troubles in hearing (display 1) or to troubles in understanding the linguistic format (display 2). This leads to the formulation of further desiderata and analytical challenges regarding the multimodal other-initiation of repair in general and in professional international settings in particular.
This study deals with interpretation practices that speakers employ in order to (re)formulate what another person has said or implied. Analyzing interpretations in a public televised mediation that resembles a public debate, I show which kinds of interpretation practices that speakers adopt and how they differ depending the participants' roles. Systematically comparing all interpretations of the mediator vs. the opposing participants’, I argue that interpretations can be described as general practices with specific interactional effects, but that they are designed and exploited in different ways (i.e., for clarification and discourse-organization vs. self- and other-positioning and constructing arguments). I point out that speakers use meta-pragmatic accounts that support the interactional effects of their interpretations.
In psychotherapy, therapists often formulate interpretations of clients' prior talk which are ‘unilateral’ in the sense that therapists index that they are themselves the author of an interpretive inference which may not be acceptable to the client. Based on 100 German-language recordings of brief psychodynamic psychotherapy (4 clients with 25 sessions each), we describe a multimodal practice of constructing extended multi-unit turns of delivering therapeutic interpretations. The practice includes gaze aversion until the main point of the interpretation is reached, perceptive and cognitive formulae, epistemic hedges, inserted accounts, parenthesis, self-repair, and self-reformulations. These design-features work together to index that the therapist produces an interpretation that can be heard as being tentative. The design of the therapists' turns reflexively indexes the expectation that the client might resist the interpretation; at the same time they are constructed to avoid resistance and to invite the client's self-exploration into new directions, often with a focus on emotions.
Using video-recordings from one day of a theater project for young adults, this paper investigates how the meaning of novel verbal expressions is interactionally constituted and elaborated over the interactional history of a series of activities. We examine how the theater director introduces and instructs the group in the Chekhovian technique of acting, which is based on “imagining with the body,” and how the imaginary elements of the technique are “brought into existence” in the language of the instructions. By tracking shifts in the instructor’s use of the key expressions invisible/imaginary/inner body or movement through a series of exercises, we demonstrate how they are increasingly treated as real and perceivable bodily conduct. The analyses focus on the instructor’s attribution of factual and agentive properties to these expressions, and the changes that these properties undergo over the series of instructions. This case demonstrates the significance of longitudinal processes for the establishment of shared meaning in social interaction. The study thereby contributes to the field of interactional semantics and to longitudinal studies of social interaction.
Based on German speaking data from various activity types, the range of multimodal resources used to construct turn-beginnings is reviewed. It is claimed that participants in talk-in-interaction need to deal with four tasks in order to construct a turn which precisely fits the interactional moment of its production:
1. Achieve joint orientation: The accomplishment of the socio-spatial prerequisites necessary for producing a turn which is to become part of the participants’ common ground.
2. Display uptake: Next speaker needs to display his/her understanding of the interaction so far as the backdrop on which the production of the upcoming turn is based.
3. Deal with projections from prior talk: The speaker has to deal with projections which have been established by (the) previous turn(s) with respect to the upcoming turn.
4. Project properties of turn-in-progress: The speaker needs to orient the recipient to properties of the turn s/he is about to produce.
Turn-design thus can be seen to be informed by tasks related to the multimodal, embodied, and interactive contingencies of online-construction of turns. The four tasks are ordered in terms of prior tasks providing the prerequisite for accomplishing a later task.
Reformulating place
(2013)
This report examines what can be accomplished in conversation by reformulating a reference to a place using the practices of repair. It is based on an analysis of a collection of place references situated in second pair parts of adjacency pairs taken from a wide range of field recordings of talk-in-interaction. Not surprisingly, place references are sometimes reformulated so as to indicate a misspeaking or in pursuit of recipient recognition. At other times, however, we show that place references can be reformulated to more adequately implement the action of a turn in prosecuting the course of action of which it is a part. In these cases repairing a place reference can target a source of trouble associated with implementing the action of a turn at talk, and thus reformulating place can serve as a practical resource for accomplishing a range of interactional tasks. We conclude with a more complex case in which two reformulations are deployed in responding to a so-called ‘double-barrelled’ initiating action.
This special issue of the Journal of Pragmatics has its origins in the International Conference on Conversation Analysis 10 (ICCA10), which took place in Mannheim (Germany) in July 2010. More than 650 scholars attended the conference, whose theme was ‘‘multimodal interaction’’. This volume includes papers based on the four plenary talks given at ICCA10 and four additional contributions related to the conference theme.