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The paper studies how the German connectives "also" and "dann" are used as displays of understanding in talk-in-interaction. It is shown that the use of also at turn-beginnings in pre-front-field position is a routine practice to explicate implicit meanings of the prior turn of the partner, which is presented for confirmation. Also thus indexes that explicated meanings are taken to be intersubjective, i.e. part of the interlocutors’ common ground. Turn-initial dann(in front-field position), in contrast, is routinely used to (a) index the formulation of a unilateral inference from the partner’s prior turn which is not claimed to have already been communicated by the partner, and is (b) used to preface different kinds of next actions which are framed as being a consequence from the preceding action of the partner. Drawing on data from four genres of talkin- interaction (conversation, psychotherapy, doctor-patient interaction, broadcasted talk shows), the paper discusses how functions of also and dann are related to their positions concerning turn-construction and topological fields, prosodic design, collocations, sequential structures and participation frameworks of the interaction.
Research on multimodal interaction has shown that simultaneity of embodied behavior and talk is constitutive for social action. In this study, we demonstrate different temporal relationships between verbal and embodied actions. We focus on uses of German darf/kann ich? (“may/can I?”) in which speakers initiate, or even complete the embodied action that is addressed by the turn before the recipient’s response. We argue that through such embodied conduct, the speaker bodily enacts high agency, which is at odds with the low deontic stance they express through their darf/kann ich?-TCUs. In doing so, speakers presuppose that the intersubjective permissibility of the action is highly probable or even certain. Moreover, we demonstrate how the speaker’s embodied action, joint perceptual salience of referents, and the projectability of the action addressed with darf/kann ich? allow for a lean syntactic design of darf/kann ich?-TCUs (i.e., pronominalization, object omission, and main verb omission). Our findings underscore the reflexive relationship between lean syntax, sequential organization and multimodal conduct.
Recipient design is a key constituent of intersubjectivity in interaction. Recipient design of turns is informed by prior knowledge about and shared experience with recipients. Designing turns in order to be maximally effective for the particular recipient(s) is crucial for accomplishing intersubjectively coordinated action. This paper reports on a specific pragmatic structure of recipient design, i.e. counter-factual recipient design, and how it impinges on intersubjectivity in interaction. Based on an analysis of video-recordings data from driving school lessons in German, two kinds of counterfactual recipient design of instructors' requests are distinguished: pedagogic and egocentric turn-design. Counterfactual, pedagogic turn-design is used strategically to diagnose student skills and to create opportunities for corrective instructions. Egocentric turn-design rests on private, non-shared knowledge of the instructor. Egocentrically designed turns imply expectations of how to comply with requests which cannot be recovered by the student and which lead to a breakdown of intersubjective cooperation. This paper identifies practices, sources and interactional consequences of these two kinds of counterfactual recipient design. In addition, the study enhances our understanding of recipient design in at least three ways. It shows that recipient design does not only concern referential and descriptive practices, but also the indexing intelligible projections of next actions; it highlights the productive, other-positioning effects of recipient design; it argues that recipient design should be analyzed in terms of temporally extended interactional trajectories, linking turn-constructional practices to interactional histories and consecutive trajectories of joint action.
Probleme der Semantik von Prädikaten psychischen Erlebens werden seit langem in Linguistik, Psychologie, Medizin und Sprachphilosophie diskutiert, sind aber bisher nur selten zum Gegenstand einer Untersuchung anhand authentischer Kommunikation über psychisches Erleben geworden. Anhand des Anamnesegesprächs Frau Trecker wird untersucht, welche Konzeptualisierung von Schmerzen Ärztin und Patientin kommunikativ realisieren. Dabei zeigt sich, daß die Ärztin Schmerzen als isolierbare Größen psychischen Empfindungserlebens exploriert, während die Patientin Schmerzen als kontextbezogenpraxisrelevante Phänomene, die sich in beobachtbaren Konsequenzen zeigen, darstellt. Die Studie zeigt, wie diese diskrepanten Semantiken von Schmerz zu Verständigungsproblemen führen und diskutiert sie im Zusammenhang medizinisch-professioneller Diagnosepraktiken und -ziele einerseits und der Selbstdarstellung von Frau Trecker als Patientin andererseits. Abschließend werden die methodischen Strategien, die in diesem Fall zur Rekonstruktion der kommunikativ zum Ausdruck gebrachten Semantiken von Schmerzen verwendet wurden, resümiert.
Aus psychologischer Sicht wird Verstehen als ein kognitiver Prozess begriffen. Im Gegensatz dazu stellt der Aufsatz einen konversationsanalytischen Zugang zu Verstehen dar. Es wird rekonstruiert, wie Verstehen in Gesprächen durch verschiedene Verfahren der Verstehensdokumentation verdeutlicht und durch wechselseitig aufeinander bezogene Reaktionen ausgehandelt wird. Anhand von sechs Gesprächssequenzen wird eine linguistische Typologie von Verstehensdokumentationen in der Interaktion vorgestellt. Auf Basis der Fallanalysen werden grundlegende Eigenschaften von Verstehensdokumentationen sowie Aufgaben, die die Interaktionsteilnehmer bei der Produktion von und bei der Reaktion auf Verstehensdokumentationen bearbeiten, rekonstruiert. Dazu gehören: Identifikation des Bezugs von Verstehensdokumentationen, Interpretation des Verstehensgegenstands, Sicherung der Verständlichkeit und Legitimität (accountability) der Verstehensdokumentation, Herstellung des Bezugs der Verstehensdokumentation zu den praktischen Zwecken der laufenden Interaktion, Aushandlung intersubjektiven Verständnisses, rhetorische Nutzung von Verstehensdokumentationen und ihr indikativer Bezug auf Beteiligungsrollen und sozialstrukturelle Rahmen der Interaktion.
This article deals with narratives of traumatic experiences of parental violence in childhood, told by adult narrators in the context of clinical adult attachment interviews. The study rests on a corpus of interviews with 20 patients suffering from fibromyalgia, who were interviewed in the context of psychodynamic psychotherapy. Nine of the patients reported repeated experiences of parental violence. The article focuses on extracts from two interviews, which provide for a maximal contrast concerning the practices of telling experiences of violence and which are ‘clear cases’ of the practices that are characteristic of the whole corpus. The main differences between the different ways of telling concern:
• With respect to the ascription of guilt and responsibility, parental violence is portrayed as legitimate pedagogic action versus as being evil-minded and guilty without rational justification.
• With respect to the process of the telling, we find narrative trajectories over which an initial vague gloss is increasingly unpacked by reports of highly violent actions versus narratives in which violence is overtly stated and morally ascribed from its very first mention.
Based on German speaking data from various activity types, the range of multimodal resources used to construct turn-beginnings is reviewed. It is claimed that participants in talk-in-interaction need to deal with four tasks in order to construct a turn which precisely fits the interactional moment of its production:
1. Achieve joint orientation: The accomplishment of the socio-spatial prerequisites necessary for producing a turn which is to become part of the participants’ common ground.
2. Display uptake: Next speaker needs to display his/her understanding of the interaction so far as the backdrop on which the production of the upcoming turn is based.
3. Deal with projections from prior talk: The speaker has to deal with projections which have been established by (the) previous turn(s) with respect to the upcoming turn.
4. Project properties of turn-in-progress: The speaker needs to orient the recipient to properties of the turn s/he is about to produce.
Turn-design thus can be seen to be informed by tasks related to the multimodal, embodied, and interactive contingencies of online-construction of turns. The four tasks are ordered in terms of prior tasks providing the prerequisite for accomplishing a later task.