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In the management of cooperation, the fit of a requested action with what the addressee is presently doing is a pervasively relevant consideration. We present evidence that imperative turns are adapted to, and reflexively create, contexts in which the other person is committed to the course of action advanced by the imperative. This evidence comes from systematic variation in the design of imperative turns, relative to the fittedness of the imperatively mandated action to the addressee’s ongoing trajectory of actions, what we call the “dine of commitment”. We present four points on this dine: Responsive imperatives perform an operation on the deontic dimension of what the addressee has announced or already begun to do (in particular its permissibility); local-project imperatives formulate a new action advancing a course of action in which the addressee is already actively engaged; global-project-imperatives target a next task for which the addressee is available on the grounds of their participation in the overall event, and in the absence of any competing work; and competitive imperatives draw on a presently otherwise engaged addressee on the grounds of their social commitment to the relevant course of actions. These four turn shapes are increasingly complex, reflecting the interactional work required to bridge the increasing distance between what the addressee is currently doing, and what the imperative mandates. We present data from German and Polish informal and institutional settings.
Theateraufführungen sind ohne Zuschauer nicht denkbar. Zugleich erweisen sich Proben aber als öffentlichkeitsabgeschirmte und intime Vorgänge, da eine (zu frühe) Orientierung an möglichen Publikums-Effekten den kreativen Prozess stört. Auf der Grundlage von über 30 Stunden Videoaufnahmen von Theaterproben zeige ich an ausgewählten Ausschnitten, wie Theatermachende sich sprachlich und körperlich im Probenprozess auf das Publikum beziehen, wie dies interaktiv realisiert wird und welche Rückschlüsse das auf die Weisen der Publikumskonstruktion im Kontext von Proben zulässt.
Most research on ethnicity has focused on visual cues. However, accents are strong social cues that can match or contradict visual cues. We examined understudied reactions to people whose one cue suggests one ethnicity, whereas the other cue contradicts it. In an experiment conducted in Germany, job candidates spoke with an accent either congruent or incongruent with their (German or Turkish) appearance. Based on ethnolinguistic identity theory, we predicted that accents would be strong cues for categorization and evaluation. Based on expectancy violations theory we expected that incongruent targets would be evaluated more extremely than congruent targets. Both predictions were confirmed: accents strongly influenced perceptions and Turkish-looking German-accented targets were perceived as most competent of all targets (and additionally most warm). The findings show that bringing together visual and auditory information yields a more complete picture of the processes underlying impression formation.
We present a method to identify and document a phenomenon on which there is very little empirical data: German phrasal compounds occurring in the form of as a single token (without punctuation between their components). Relying on linguistic criteria, our approach implies to have an operational notion of compounds which can be systematically applied as well as (web) corpora which are large and diverse enough to contain rarely seen phenomena. The method is based on word segmentation and morphological analysis, it takes advantage of a data-driven learning process. Our results show that coarse-grained identification of phrasal compounds is best performed with empirical data, whereas fine-grained detection could be improved with a combination of rule-based and frequency-based word lists. Along with the characteristics of web texts, the orthographic realizations seem to be linked to the degree of expressivity.
Dieser Beitrag vergleicht die Ansätze ,Linguistic Landscapes' (LL) und ,Spot German' (SG) in Hinblick auf ihr Potenzial für die Untersuchung des Vorkommens und der Funktionen der deutschen Sprache in Regionen außerhalb des deutschsprachigen Kerngebietes. Als Beispiele wurden eine LL-Studie im Baltikum sowie eine SG-Untersuchung auf Zypern gewählt. Der Vergleich zeigt, dass beide Methoden - trotz ihrer unterschiedlichen Präzision - ähnliche Aussagen zur Rolle des Deutschen erlauben: In beiden Ländern erscheint Deutsch als „Ergänzungssprache“ zu den gesellschaftlichen Hauptsprachen in bestimmten Nischen, z.B. im Tourismus und in Verbindung mit bestimmten Firmen und Produkten.
Wolfgang von Kempelen's book "The Mechanism of Human Speech" from 1791 is a famous milestone in the history of speech communication research. It has an enormous relevance for the phonetic sciences and it marks an important turning point for the development of the (mechanical) speech synthesis. So far no English version of this work was available, which excludes many interested researchers. Access to the original versions in German and French is restricted for various reasons. For example the blackletter script of the German version is troublesome for most of today's readers. We report here on a new edition of Kempelen's book which unites a better readable German version and its English translation. It will now also be in a searchable electronic format and has been enriched with many commentaries, which aid in the understanding of details of the late 18th century that are little known or unknown to many researchers today.
In this paper we present work in developing a computerized grammar for the Latin language. It demonstrates the principles and challenges in developing a grammar for a natural language in a modern grammar formalism. The grammar presented here provides a useful resource for natural language processing applications in different fields. It can be easily adopted for language learning and use in language technology for Cultural Heritage like translation applications or to support post-correction of document digitization.
There are a number of recent replicas of Wolfgang von Kempelen's speaking machine. Although all of them are explicitly based on Kempelen's own description nearly none of them are identical in construction and sound. In this paper we want to illustrate some of these differences and their reasons for five replicas built by ourselves.