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One major issue in the accomplishment of contrasts in conversation is lexical choice of items which carry the semantic Ioad of the two states of affair which are represented as being opposed to one another. These items or expressions are co-selected to be understood as being contrastively related to each other. In this paper, it is argued that the activity of contrasting itself provides them with a specific local opposite meaning which they would not obtain in other contexts. Practices of contrastingare thus seen as an example of conversational activities which creatively and systematically affect situated meanings. Basedon data from various genres, such as meetings, mediation sessions and conversations, the paper discusses two practices of contrasting, their sequential construction and their interpretative effects. It is concluded that the interpretative effects of conversational contrasting rest on the sequential deployment oflinguistic resources and on the cognitive procedures of frame-based interpretation and constructing a maximally contrastive interpretation for the co-selected expressions.
In her overview, Margret Selting makes the case for the claim that dealing with authentic conversation necessarily lies at the heart of an interactionallinguistic approach to prosody (see Selting this volume, Section 3.3). However, collecting and transcribing corpora of authentic interaction is a time-consuming enterprise. This fact often severely restricts what the individual researcher is able to do in terms of analysis within the scope of his or her resources. Still, for dealing with many of the desiderata Margret Selting points out in Section 5 of her extensive overview, the use of larger corpora seems to be required. In this commenting paper, I want to argue that future progress in research on prosody in interaction will essentially rest on the availability and use of large public corpora. After reviewing arguments for and against the use of public corpora, I will discuss some upshots regarding corpus design and issues of transcription of public corpora.
Der Beitrag stellt zunächst die drei grundlegenden methodischen Verfahren der Konversationsanalyse und der mittlerweile deren Vorgehen folgenden diskursiven Psychologie dar: die Transkription, die detaillierte Sequenzanalyse am Einzelfall und die (komparative) Analyse von Datenkollektionen. Nach einer Übersicht über grundlegende Befunde zur Organisation von Interaktionen wird auf drei psychologische Untersuchungsbereiche eingegangen: Die Konstitution von Identität in Gesprächen, die Rolle von Kognitionen in der sozialen Interaktion und die Erforschung von Psychotherapiegesprächen.
This paper analyses paramedic emergency interaction as multimodal multiactivity. Based on a corpus of video-recordings of emergency drills performed by professional paramedics during advanced training, the focus is on paramedics’ participation in multiple joint projects which become simultaneously relevant. Simultaneity and fast succession of multiactivity does not only characterise work on the team level, but also the work profile of the individual paramedic. Participants have to coordinate their own participation in more than one joint project intrapersonally. In the data studied, three patterns of allocating multimodal resources stood out as routine ways of coordinating participation in two simultaneous projects intrapersonally:
1. Talk and hearing vs. manual action monitored by gaze,
2. Talk and hearing vs. gazing (and pointing),
3. Manual action vs. gaze (and talk and hearing).
Mock fiction is a genre of humorous, fictional narratives. It is pervasive in adolescents’ peer-group interaction. Building on a corpus of informal peer-group interaction among 14 to 17 year-old German adolescents, it is shown how mock fiction is used to sanction identity-claims of peer-group co-members that are taken to be inadequate by the teller of a mock fiction. Mock fiction exposes and ridicules those claims by fictional exaggeration. Mock fiction is an indirect, yet sometimes even highly abusive means for criticizing and negotiating identities and statuses of peer-group members. The analysis shows how mock fiction is collaboratively produced, how it is used to convey criticism and to negotiate social norms indirectly, and how, in addition, it allows for performative self-positioning of the tellers as skilled, entertaining tellers and socio-psychological diagnosticians.
This contribution deals with right-dislocated complement clauses with the subordinating conjunction dass (‘that’) in German talk-in-interaction. The bi-clausal construction we analyze is as follows: The first clause, in which one argument is realized by the demonstrative pronoun das (‘this/that’), is syntactically and semantically complete; the reference of the pronoun is (re-)specified by adding a dass-complement clause after a point of possible completion (e.g., aber das hab ich nich MITbekommen. (0.32) dass es da so YOUtubevideos gab. (‘But I wasn’t aware of that. That there were videos about that on YouTube.’). The first clause always performs a backward-oriented action (e.g., an assessment) and the second clause (re-)specifies the propositional reference of the demonstrative, allowing for a (strategic) perspective shift. Based on a collection of 93 cases from everyday conversations and institutional interactions, we found that the construction is used close to the turn-beginning for referring to and (re-)specifying (parts of) another speaker’s prior turn; turn-internal uses tie together parts of a speaker’s multi-unit turn. The construction thus facilitates an incremental constitution of meaning and reference.