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The paper presents the results of a joint effort of a group of multimodality researchers and tool developers to improve the interoperability between several tools used for the annotation and analysis of multimodality. Each of the tools has specific strengths so that a variety of different tools, working on the same data, can be desirable for project work. However this usually requires tedious conversion between formats. We propose a common exchange format for multimodal annotation, based on the annotation graph (AG) formalism, which is supported by import and export routines in the respective tools. In the current version of this format the common denominator information can be reliably exchanged between the tools, and additional information can be stored in a standardized way.
Dieser Artikel analysiert am Beispiel eines Racletteessens unter Freunden, wie innerhalb einer langen Sequenz das Warten auf den Beginn des Essens strukturiert wird. Während der fast 50 Minuten, die zwischen der Ankunft der ersten Gäste sowie dem Beginn des Essens vergehen, orientieren sich die Teilnehmer auf unterschiedliche Weise zum Warten als Aktivität. Das sukzessive Eintreffen der Gäste führt jeweils zu Eröffnungssequenzen innerhalb dieser Wartezeit. Anhand von Auszügen dieser Zeitspanne verfolgt die Analyse, wie sich die Teilnehmer zu dieser Zeitlichkeit des Wartens und (Noch-nicht-)Beginnens orientieren und wie sie den Anfang des Essens gemeinsam konstruieren.
Theateraufführungen sind ohne Zuschauer nicht denkbar. Zugleich erweisen sich Proben aber als öffentlichkeitsabgeschirmte und intime Vorgänge, da eine (zu frühe) Orientierung an möglichen Publikums-Effekten den kreativen Prozess stört. Auf der Grundlage von über 30 Stunden Videoaufnahmen von Theaterproben zeige ich an ausgewählten Ausschnitten, wie Theatermachende sich sprachlich und körperlich im Probenprozess auf das Publikum beziehen, wie dies interaktiv realisiert wird und welche Rückschlüsse das auf die Weisen der Publikumskonstruktion im Kontext von Proben zulässt.
This paper provides a unified semantic and discourse pragmatic analysis of the German particle nämlich, traditionally described as having a specificational and an explanative reading. Our claim is that nämlich is a discourse marker which signals that the expression it is attached to is a short (elliptic) answer to a salient implicit question about the previous utterance. We show how both the explanative and the specificational reading can be derived from this more general semantic contribution. In addition we discuss some cross linguistic consequences of our analysis.
The ubiquity of smartphones has been recognised within conversation analysis as having an impact on conversational structures and on the participants’ interactional involvement. However, most of the previous studies have relied exclusively on video recordings of overall encounters and have not systematically considered what is taking place on the device. Due to the personal nature of smartphones and their small displays, onscreen activities are of limited visibility and are thus potentially opaque for both the co-present participants (“participant opacity”) and the researchers (“analytical opacity”). While opacity can be an inherent feature of smartphones in general, analytical opacity might not be desirable for research purposes. This chapter discusses how a recording set-up consisting of static cameras, wearable cameras and dynamic screen captures allowed us to address the analytical opacity of mobile devices. Excerpts from multi-source video data of everyday encounters will illustrate how the combination of multiple perspectives can increase the visibility of interactional phenomena, reveal new analytical objects and improve analytical granularity. More specifically, these examples will emphasise the analytical advantages and challenges of a combined recording set-up with regard to smartphone use as multiactivity, the role of the affordances of the mobile device, and the prototypicality and “naturalness” of the recorded practices.
One major issue in the accomplishment of contrasts in conversation is lexical choice of items which carry the semantic Ioad of the two states of affair which are represented as being opposed to one another. These items or expressions are co-selected to be understood as being contrastively related to each other. In this paper, it is argued that the activity of contrasting itself provides them with a specific local opposite meaning which they would not obtain in other contexts. Practices of contrastingare thus seen as an example of conversational activities which creatively and systematically affect situated meanings. Basedon data from various genres, such as meetings, mediation sessions and conversations, the paper discusses two practices of contrasting, their sequential construction and their interpretative effects. It is concluded that the interpretative effects of conversational contrasting rest on the sequential deployment oflinguistic resources and on the cognitive procedures of frame-based interpretation and constructing a maximally contrastive interpretation for the co-selected expressions.
Our paper examines how bodily behavior contributes to the local meaning of OKAY. We explore the interplay between OKAY as response to informings and narratives and accompanying multimodal resources in German multi-party interaction. Based on informal and institutional conversations, we describe three different uses of OKAY with falling intonation and the recurrent multimodal patterns that are associated with them and that can be characterized as ‘multimodal gestalts’. We show that: 1. OKAY as a claim to sufficient understanding is typically accompanied by upward nodding; 2. OKAY after change-of-state tokens exhibits a recurrent pattern of up- and downward nodding with distinctive timing; and 3. OKAY closing larger activities is associated with gaze-aversion from the prior speaker.
The recognizability of a stretch of conduct as social action depends on details of turn construction as well as the turn’s context. We examine details of turn construction as they enter into actions offering interpretations of prior talk. Such actions either initiate repair or formulate a conclusion from prior talk. We focus on how interpretation markers (das heißt [“that means”] vs. du meinst [“you mean”]) and interpretation formats (phrasal vs. clausal turn completions) each make their invariant contribution to specific interpreting practices. Interpretation marker and turn format go hand in hand, which leads to distinct patterns of interpreting practices: Das heißt+clause is especially apt for formulations, du meinst+phrase for repair. The results suggest that details of turn construction can systematically enter into the constitution of social action. Data are in German with English translation.
In this chapter, we overview the specificity of comparisons made within the perspective of Conversation Analysis (CA), and we position them in relation to other fields. We introduce the analytical mentality, methodology, and procedures of CA, and we show how we used it for the analysis of OKAY in this volume.