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Meaning in interaction
(2024)
This editorial to the Special Issue on “Meaning in Interaction” introduces to the approach of Interactional Semantics, which has been developed over the last years within the framework of Interactional Linguistics. It discusses how “meaning” is understood and approached in this framework and lays out that Interactional Semantics is interested in how participants clarify and negotiate the meanings of the expressions that they are using in social interaction. Commonalities and differences of this approach with other approaches to meaning are flagged, and the intellectual origins and precursors of Interactional Semantics are introduced. The contributions to the Special Issue are located in the larger field of research.
Mock fiction is a genre of humorous, fictional narratives. It is pervasive in adolescents’ peer-group interaction. Building on a corpus of informal peer-group interaction among 14 to 17 year-old German adolescents, it is shown how mock fiction is used to sanction identity-claims of peer-group co-members that are taken to be inadequate by the teller of a mock fiction. Mock fiction exposes and ridicules those claims by fictional exaggeration. Mock fiction is an indirect, yet sometimes even highly abusive means for criticizing and negotiating identities and statuses of peer-group members. The analysis shows how mock fiction is collaboratively produced, how it is used to convey criticism and to negotiate social norms indirectly, and how, in addition, it allows for performative self-positioning of the tellers as skilled, entertaining tellers and socio-psychological diagnosticians.
Parmi les nombreuses contributions de Charles Goodwin à l’étude des interactions sociales, ses travaux sur les gestes de pointage (1986, 2003, 2007) et la vision professionnelle (1994) constituent un apport majeur. Forts de l’enseignement goodwinien, nous examinons le recours aux gestes de pointage lors des instructions de navigation observables dans des leçons de conduite. Nous décrivons quatre exécutions indexicales différentes des gestes de pointage employés pour indiquer un parcours à suivre : les gestes trajectoire, les gestes géométriques, schématiques et contrastifs. Les gestes trajectoire tracent une ligne dans l’espace, révélant ainsi une composante déictique et une composante iconique. Les gestes géométriques instaurent une relation vectorielle avec la configuration routière visible, alors que les gestes schématiques reposent sur une représentation sémiotique stylisée de l’environnement. Ni complètement géométriques, ni schématiques, les gestes contrastifs se basent sur une représentation oppositionnelle de l’espace ambiant. La mobilité des interactants, leur asymétrie épistémique, l’activité didactique, et la séquentialité de l’interaction contribuent à donner leur sens à ces gestes de pointage.
Our paper examines how bodily behavior contributes to the local meaning of OKAY. We explore the interplay between OKAY as response to informings and narratives and accompanying multimodal resources in German multi-party interaction. Based on informal and institutional conversations, we describe three different uses of OKAY with falling intonation and the recurrent multimodal patterns that are associated with them and that can be characterized as ‘multimodal gestalts’. We show that: 1. OKAY as a claim to sufficient understanding is typically accompanied by upward nodding; 2. OKAY after change-of-state tokens exhibits a recurrent pattern of up- and downward nodding with distinctive timing; and 3. OKAY closing larger activities is associated with gaze-aversion from the prior speaker.
OKAY originates from English, but it is increasingly used across languages. This chapter presents data from 13 languages, illustrating the spectrum of possible uses of OKAY in responding and claiming understanding in contexts of informings. Drawing on a wide range of interaction types from both informal and institutional contexts, including those crucially involving embodied practices, we show how OKAY can be used to (i) claim sufficient understanding, (ii) mark understanding of the prior informing as preliminary or not complete, and (iii) index discrepancy of expectation.
In this chapter, we overview the specificity of comparisons made within the perspective of Conversation Analysis (CA), and we position them in relation to other fields. We introduce the analytical mentality, methodology, and procedures of CA, and we show how we used it for the analysis of OKAY in this volume.
This article deals with narratives of traumatic experiences of parental violence in childhood, told by adult narrators in the context of clinical adult attachment interviews. The study rests on a corpus of interviews with 20 patients suffering from fibromyalgia, who were interviewed in the context of psychodynamic psychotherapy. Nine of the patients reported repeated experiences of parental violence. The article focuses on extracts from two interviews, which provide for a maximal contrast concerning the practices of telling experiences of violence and which are ‘clear cases’ of the practices that are characteristic of the whole corpus. The main differences between the different ways of telling concern:
• With respect to the ascription of guilt and responsibility, parental violence is portrayed as legitimate pedagogic action versus as being evil-minded and guilty without rational justification.
• With respect to the process of the telling, we find narrative trajectories over which an initial vague gloss is increasingly unpacked by reports of highly violent actions versus narratives in which violence is overtly stated and morally ascribed from its very first mention.
This paper studies practices of indexing discrepant assumptions accomplished by turn-constructional units with ich dachte ('I thought') in German talk-in-interaction. Building on the analysis of 141 instances from the corpus FOLK, we identify three sequential environments in which ich dachte is used to index that an assumption which a speaker (has) held contrasts with some other, contextually salient assumption. We show that practices which have been studied for English I thought are also routinely used in German: ich dachte is a means to manage epistemic incongruencies and to contrast an incorrect with a correct assumption in narratives. In addition, ich dachte is also used to account for the speaker's own prior actions which may have looked problematic because they built on misunderstandings which the speaker only discovered later. Moreover, ich dachte-practices may also be used to create comic effects by reporting an earlier, absurd assumption. The practices are discussed with regard to their role in regaining common ground, in managing relationships, in maintaining the identity of a rational actor, and in terms of their exploitation for other conversational interests. Special attention is paid to how co-occurring linguistic features, and sequential and pragmatic factors, account for local interpretations of ich dachte.
This contribution deals with right-dislocated complement clauses with the subordinating conjunction dass (‘that’) in German talk-in-interaction. The bi-clausal construction we analyze is as follows: The first clause, in which one argument is realized by the demonstrative pronoun das (‘this/that’), is syntactically and semantically complete; the reference of the pronoun is (re-)specified by adding a dass-complement clause after a point of possible completion (e.g., aber das hab ich nich MITbekommen. (0.32) dass es da so YOUtubevideos gab. (‘But I wasn’t aware of that. That there were videos about that on YouTube.’). The first clause always performs a backward-oriented action (e.g., an assessment) and the second clause (re-)specifies the propositional reference of the demonstrative, allowing for a (strategic) perspective shift. Based on a collection of 93 cases from everyday conversations and institutional interactions, we found that the construction is used close to the turn-beginning for referring to and (re-)specifying (parts of) another speaker’s prior turn; turn-internal uses tie together parts of a speaker’s multi-unit turn. The construction thus facilitates an incremental constitution of meaning and reference.
Der Beitrag stellt zunächst die drei grundlegenden methodischen Verfahren der Konversationsanalyse und der mittlerweile deren Vorgehen folgenden diskursiven Psychologie dar: die Transkription, die detaillierte Sequenzanalyse am Einzelfall und die (komparative) Analyse von Datenkollektionen. Nach einer Übersicht über grundlegende Befunde zur Organisation von Interaktionen wird auf drei psychologische Untersuchungsbereiche eingegangen: Die Konstitution von Identität in Gesprächen, die Rolle von Kognitionen in der sozialen Interaktion und die Erforschung von Psychotherapiegesprächen.