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Der Beitrag beschäftigt sich mit kommunikativen Praktiken in audiovisuellen Webformaten am Beispiel von sogenannten „Let’s Plays“, in denen ein Videospiel im Internet für Zuschauende gespielt und kommentiert wird. An live ausgestrahlten Let’s Plays zeigen wir, wie Zuschauende mit Produzierenden während der Ausstrahlung interagieren und so integraler Bestandteil des entstehenden Produkts werden. Live ausgestrahlte Let’s Plays machen eine Trennung zwischen Produktion, Produkt und Rezeption, wie wir sie von traditionellen Medien kennen, obsolet. Wir sprechen daher von sogenannten Medienketten. Sie zeichnen sich dadurch aus, dass die drei genannten Elemente, aufgrund der gegebenen medialen Affordanzen ineinander übergehen, sich dynamisch beeinflussen oder gegenseitig hervorbringen.
Interaktionsanalytische Zugänge zu medienvermittelter Kommunikation. Zur Einleitung in diesen Band
(2019)
Konstanze Marx/Axel Schmidt (Mannheim) folgen in ihrem Beitrag „Making Let’s Plays watchable - Praktiken des stellvertretenden Erlebbar-Machens von Interaktivität in vorgeführten Video-spielen“ einem - angesichts der Datenqualität multimodal erweiterten - interaktionsanalytischen Ansatz. Dabei wird der Frage nachgegangen, wie die für das Genre konstitutive Ent-Interaktivisierung entschärft wird. Hierfür wird in Sing-le-Let’s Plays die begleitende Moderation zentral gesetzt, in Multi-Let’s Plays die Interaktion zwischen den Beteiligten.
Virtual Character Assassination - open questions from a linguistic point of view Virtual Character Assassination is a complex phenomenon with high societal relevance. In almost all publications we find that cybermobbing (which is the name for the phenomenon in the research literature) can be described as an aggressive act within the context of new media. We already know a lot about frequencies of occurrence, motivations, offender profiles, consequences and causes of cybermobbing. On the one hand, it is the aim of this article to summarize the state of research existing so far in order to detect several connecting factors from a linguistic and communication theoretical point of view. On the other hand, I would like to introduce tentative considerations concerning the interaction between emotional contents and persuasive potentials based on data mainly collected from www.isharegossip.com and social network sites.
Mediatization and Mediality in Social Media: the Discourse System Twitter
The article contributes to the debate about mediatization and the use of language in social media. The theoretical approach evolves from the intersection of linguistics, media and communication studies. While the concept of mediatization describes relations between medial and sociocultural change and the ubiquity of media in everyday life, the concept of mediality sheds light on the inseparability of media and language. From this interdisciplinary perspective, specific practices of media and language use within the microblogging service Twitter were analyzed. Examples from different case studies reveal certain user practices that can be described as formed by ‘moulding forces’ of the medium Twitter without considering technology as determining or symptomatic. Our analysis shows that the use of specific semiotic and functional operators (#, @, RT, http://) establish user practices of creating personal and semantic references and thus constitute Twitter as a multi-referential discourse system.
All linguistics should be media linguistics, but it is not. This thesis is presented by using linguistic landscapes as an example. LL research does not belong to the traditional core of either mainstream linguis-tics or media linguistics. This is why not everything within power has been done yet to make full use of their thematic, conceptual and methodological possibilities. Visible signs in public space, however, are an everyday phenomenon. You have to pull out all the stops to research them extensively. The distinction between linguistics and media linguistics turns out to be counterproductive. But this does not only apply to the case of linguistic landscapes. It also stands for any comprehensive investigation of language and language use. (Ex-ceptions may be very narrow questions for specific purposes.) The above thoughts are supported by a database of the project „Metro-polenzeichen“ with more than 25.000 systematically collected, ge-ocoded and tagged photographs.