Digital Research in the Arts and Humanities
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The General Data Protection Regulation (GDPR) on personal data protection in the European Union entered into application on 25 May 2018. With its 173 recitals and 99 articles, it may be one of the most ambitious pieces of EU legislation to date. Rather than a guide to GDPR compliance for Digital Humanities researchers, this chapter looks at the use of personal data in DH projects from the data subject’s perspective, and examines to what extent the GDPR kept its promise of enabling the data subject to “take control of his data”. The chapter provides an overview of the right to privacy and the right to data protection, a discussion of the relation between the concept of data control and privacy and data protection law, an introduction to the GDPR, and an explanation of its relevance for scientific research in general and DH in particular. The main section of the chapter analyses two types of data control mechanisms (consent and data subject rights) and their impact on DH research.
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Digital humanities research under United States and European copyright laws. Evolving frameworks
(2021)
This chapter summarizes the current state of copyright laws in the United States and European Union that most affect Digital Humanities research, namely the fair use doctrine in the US and research exceptions in Europe, including the Directive on Copyright in the Digital Single Market, which has been finally adopted in 2019. This summary begins with a description of recent copyright advances most relevant to DH research, and finishes with an analysis of a significant remaining legal hurdle which DH researchers face: how do fair use and research exceptions deal with the critical issue of circumventing technological protection measures (TPM, a.k.a. DRM). Our discussion of the lawful means of obtaining TPM-protected material may contribute to both current DH research and planning decisions and inform future stakeholders and lawmakers of the need to allow TPM circumvention for academic research.