P1: Interaktion
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Cette contribution se focalise sur un type spécifique de requêtes indirectes en allemand dans la formation numérique pour adultes, à savoir des énoncés déclaratifs à travers lesquels des participant.es font référence à un problème au niveau du fonctionnement de leur téléphone mobile. Malgré leur formatage en tant que self-talk (formulation elliptique, à voix basse et avec le regard tourné vers l’appareil), ces tours permettent à leurs auteurs de mobiliser de l’aide de la part de l’enseignant ou des coparticipant.es. L’analyse d’extraits vidéo illustre aussi bien la flexibilité séquentielle de ces requêtes que la difficulté qu’ont les participant.es à les positionner en accord avec la disponibilité momentanée de l’enseignant. Il s’agit d’une pratique particulièrement adaptée au recrutement d’assistance concernant un problème inconnu ou opaque pour les participant.es et lié à la manipulation de l’appareil. C’est précisément ce formatage déclaratif d’apparence autocentrée qui invite la personne adressée à se rapprocher physiquement et à inspecter le téléphone de près.
Poetic diction routinely involves two complementary classes of features: (i) parallelisms, i.e. repetitive patterns (rhyme, metre, alliteration, etc.) that enhance the predictability of upcoming words, and (ii) poetic deviations that challenge standard expectations/predictions regarding regular word form and order. The present study investigated how these two prediction-modulating fundamentals of poetic diction affect the cognitive processing and aesthetic evaluation of poems, humoristic couplets and proverbs. We developed quantitative measures of these two groups of text features. Across the three text genres, higher deviation scores reduced both comprehensibility and aesthetic liking whereas higher parallelism scores enhanced these. The positive effects of parallelism are significantly stronger than the concurrent negative effects of the features of deviation. These results are in accord with the hypothesis that art reception involves an interplay of prediction errors and prediction error minimization, with the latter paving the way for processing fluency and aesthetic liking.
The idea of this article is to take the immaterial and somehow ethereal nature of aesthetic concepts seriously by asking how aesthetic concepts are negotiated and thus formed in communication. My examples come from theatrical production where aesthetic decisions naturally play a major role. In the given case, an aesthetic concept is introduced with which only the director, but none of the actors is familiar in the beginning of the rehearsals. The concept, Wabi Sabi, comes from Japanese culture. As the whole rehearsal process was video recorded, it is possible to track the process of how the concept is negotiated and acquired over time. So, instead of defining criteria what Wabi Sabi as an aesthetic concept “consists of,” this article seeks to show how the concept is introduced, explained and “used” within a practical context, in this case a theater rehearsal. In contrast to conventional models of aesthetic experience, I am interested in the ways in which an aesthetic concept is configured in and through socially organized interaction, and — vice versa — how that interaction contributes to the situational accomplishment of the same concept. In short: I am interested in the “doing” of aesthetic concepts, especially in “doing Wabi Sabi.”
Das Duden-Aussprachewörterbuch ist das Standardwerk zu Fragen der Aussprache und Betonung des Deutschen. Die 8. Auflage wurde um über 4000 Stichwörter erweitert und enthält 144.000 Aussprachen zu Wörtern und Namen, inklusive im Deutschen gebräuchlicher Fremdwörter und fremdsprachlicher Namen. Alle Stichwörter wurden vertont und die Audios sind als Download verfügbar. Ein ausführliches Kapitel beschreibt die Regeln der Lautung und in zahlreichen Infokästen finden sich Informationen zu Aussprachephänomenen wie der Sprechpause beim Gendern. Das Wörterbuch entstand in Zusammenarbeit mit dem Leibniz-Institut für Deutsche Sprache in Mannheim.
The ubiquity of smartphones has been recognised within conversation analysis as having an impact on conversational structures and on the participants’ interactional involvement. However, most of the previous studies have relied exclusively on video recordings of overall encounters and have not systematically considered what is taking place on the device. Due to the personal nature of smartphones and their small displays, onscreen activities are of limited visibility and are thus potentially opaque for both the co-present participants (“participant opacity”) and the researchers (“analytical opacity”). While opacity can be an inherent feature of smartphones in general, analytical opacity might not be desirable for research purposes. This chapter discusses how a recording set-up consisting of static cameras, wearable cameras and dynamic screen captures allowed us to address the analytical opacity of mobile devices. Excerpts from multi-source video data of everyday encounters will illustrate how the combination of multiple perspectives can increase the visibility of interactional phenomena, reveal new analytical objects and improve analytical granularity. More specifically, these examples will emphasise the analytical advantages and challenges of a combined recording set-up with regard to smartphone use as multiactivity, the role of the affordances of the mobile device, and the prototypicality and “naturalness” of the recorded practices.
From June 26th to July 2nd 2023 the International Conference on Conversation Analysis (ICCA) took place in Brisbane/Meanjin, Australia – after a long pause due to the Covid-pandemic and for the first time in the southern hemisphere. About 350 participants from about 50 different countries attended the conference. This year’s ICCA came up with 36 panels and about 300 papers that were presented. Four plenary speakers have been invited and 24 pre-conference workshops took place. On Wednesday evening Ilana Mushin, in her role as conference chair, officially opened ICCA. The President of the International Society of Conversation Analysis (ISCA), Tanya Stivers, also welcomed all participants. To get acquainted with the indigenous culture of Queensland, the opening ceremony was enriched with a highly impressive dance performance by First Nations people. After the official inauguration the international community met at the Welcome Reception to look forward together to the days ahead with many opportunities for exchange and networking.
As it will become clear throughout this report, the research topics revolved around not only classic CA concepts, but also importantly concerned embodiment, which continued the line of past conferences (Dix 2019). Another aspect that has been highlighted was conflict and social norms. Due to personal capacities, we can only present a selection of presentations within the scope of this conference report. The selection was influenced by the personal interest of the authors and should not be understood as rating in any sense.
Nachdem die letzte Konferenz der International Pragmatics Association (IPrA) aufgrund der COVID-19-Pandemie in den virtuellen Raum verlegt werden musste, kehrte die 18th International Pragmatics Conference wieder in die Präsenz zurück. Etwa 1300 Wissenschaftler:innen und Interessierte fanden sich vom 09. bis zum 14. Juli 2023 in der Europahauptstadt Brüssel zusammen, um sich unter dem Motto The shape of interaction: the pragmatics of (a)typicality über aktuelle Themen der Pragmatik auszutauschen. In mehr als 400 Sessions präsentierten Wissenschaftler:innen aus aller Welt ihre Forschung und diskutierten, was Typikalität und Atypikalität für die Sprachwissenschaft bedeutet. Dabei standen nicht nur die Teilnehmer:innen in Präsenz vor der Schwierigkeit, bei bis zu 24 simultan ablaufenden Vorträgen den thematisch passendsten auszuwählen: Die Konferenz fand erstmals als hybrides Format statt. Es schalteten sich rund 200 Teilnehmer:innen über die Konferenzplattform online dazu und folgten entweder der Vielzahl an Vorträgen oder präsentierten ihre eigenen Forschungsergebnisse.
This study investigates other-initiated repair and its embodied dimension in casual English as lingua franca (ELF) conversations, thereby contributing to the further understanding of multimodal repair practices in social interaction. Using multimodal conversation analysis, we focus on two types of restricted other-initiation of repair (OIR): partial repeats preceded or followed by the question word what (i.e., what X?/X what?) and copular interrogative clauses (i.e., what is X). Partial repeats with what produced with rising final intonation are consistently accompanied by a head poke and treated as relating to troubles in hearing, with the repair usually consisting of a repeat. In contrast to these partial repeats, copular interrogative clauses are produced with downward final intonation and accompanied by face-related embodied conduct. The what is X OIRs primarily target code-switched lexical items, the understanding of which is critical for maintaining the repair initiator’s involvement in the ongoing sequence. This study also contributes some general reflections on the possible complexity of OIR and repair practices from a multimodal perspective.
Pseudo-coordinated sitzen and stehen in spoken German: a case of emergent progressive aspect?
(2023)
This paper investigates the aspectual potential of posture verb pseudocoordination in spoken German. In a corpus study of sitzen ‘sit’ and stehen ‘stand’, it is shown that despite a preference for activity verbs, verbs of all aspectual classes occur in the second conjunct. The posture verb imposes its durative meaning component on the second verb, thus making a progressive interpretation of the construction possible. Apart from this emergent aspectual function, German posture verb pseudocoordination has a subjective function (conveying the speaker’s beliefs about the subject referent’s stance), and a discourse pragmatic function (information packaging).
Our current era of globalization is characterized above all by increased mobility, namely by the increasing mobility of people and the development of new communication technologies, including the mobility of linguistic signs and resources. This process raises new theoretical and methodological questions in linguistics, which results in the development of a new sociolinguistics of globalization (Blommaert 2010) in recent years. One of the most obvious ways to trace this new and dynamic development is to analyze individual language repertoires, especially those of migrants. In this essay, I examine aspects of the communicative repertoire of a refugee who fled to Germany in 2015 to escape the civil war in Syria. I draw on two interviews I conducted with him (in the following I refer to him by the pseudonym „Baran“). The first interview with Baran was recorded in 2016, a few months after his arrival in Germany. The second interview is from 2023, seven years later. In both recordings, German was the dominant language of interaction. I will analyze and show the characteristics of his German at the beginning of his immigration, how he resorts to practices of language mixing between German, Turkish and English (which has recently also been referred to as translanguaging) and how his German has developed over the course of the past seven years.