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The analysis which we present in this paper is part of an ethnographically based sociolinguistic study of various immigrant youth groups and their social style of communication. The study describes the wide variety of migrant groups and their socio-cultural orientation in relation to different migrant worlds as well as to different social worlds of the dominant German society. The development of a social style of communication is grounded in the groups’ socio-cultural orientation as well as in the perception of themselves in relation to relevant others. The main purpose of our study is to analyse the construction of the groups’ social identity in terms of their social style of communication.
The main point of this chapter is to demonstrate how a speaker’s concept of his/her professional role can be inferred from his/her perspectival work (perspective setting and relating different perspectives to one another) in professional encounters. Thereby some risks of complex perspectival work in discourse will become manifest which result - at one point in the talk - in perspectival inconsistency, revealing a deeply grounded social problem for the speaker. This will be examined in the framework of a rhetorical conversation analysis.
Formelhaftes Sprechen gehört zu den Konstituenten des kommunikativen sozialen Stils von Angehörigen einer sozialen Welt „kleiner Leute“ aus der Mannheimer Innenstadt. Nach einem Überblick über die verwendeten Formeltypen wird dargestellt, welche Formeln welchen Typs in welcher Funktion beim Prozess der sozialen Kategorisierung und bei der Beziehungsregulierung eingesetzt werden. Die beiden Verwendungsbereiche sind wesentlich für die Ausprägung des sozialen Stils.
In this paper, I present some aspects of a youth group’s construction of a communicative style and show how the group’s stylistic repertoire changes over the course of their growing into adulthood. My paper is based on an ethnographic case study of a group of Turkish girls, the ‘Powergirls’, who grew up in a typical Turkish migrant neighborhood in the inner city of Mannheim, Germany. The aim of the case study was, on the basis of biographical interviews with group members and long-term observation of group interactions, to reconstruct the formation of an ethnically defined ‘ghetto’-clique and its style of communication and to describe the group’s development into educated, modern, German-Turkish young women. In this process, a change in the group’s stylistic repertoire could be observed.
Eigenschaften von sozialen Stilen der Kommunikation. Am Beispiel einer türkischen Migrantinnengruppe
(2003)
Der Beitrag stellt die Konzeption einer sozialen Stilistik der Kommunikation vor, die sich insbesondere auf die Konzeption der kulturellen Stile in der Ethnographie der Kommunikation und auf neuere Entwicklungen in der interaktionalen Soziolinguistik bezieht. Wichtig für die Stil-Konzeption ist, dass Populationen soziale Stile in Reaktion auf relevante Probleme des sozialen Lebens entwickeln. Diese bestimmen die Kerne der Stilbildung, von denen aus fortschreitend Ausdrucksmaterial unterschiedlicher Art in die Stilgestalt inkorporiert wird. Die Konzeption der sozialen Stile wird anhand von Beobachtungen an einer Gruppe von deutsch-türkischen Migrantenjugendlichen in der Mannheimer Innenstadt, den „Powergirls“, demonstriert.
In this paper, we analyze a dramatically aggravated conflict interaction taking place in the course of an association’s meeting in an urban community center. The interaction can be seen as the culmination point of a social conflict developing and increasing over a period of years. In this conflict, one of the crucial points of the sociocultural development in the city under study is to be seen in an exemplary way. Our analysis started with the question, why this conflict is unsolvable although the interest divergences of the opposing parties are not irreconcilable. Our analysis shows that the protagonists practice different communicative social styles. These stylistic differences however, are not the cause for misunderstandings, but the protagonists use stylistic differences and different cultural orientations as a resource for political action. Thereby a process of increasing hardening of perspective divergence emerges together with an interaction modality of drama and of the fundamental grounding of divergent views. Theoretically we are concerned with the explication of a sociolinguistic theory which includes as constitutive components the concepts of communicative social style, of perspectivation and of interaction modality. We want to show, that the analyzed type of sociocultural conflict can be explained by virtue of considering the interplay of features on these three levels.