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Using multimodal conversation analysis, we investigate how novices learning the “inner body” acting technique in the context of a community theater project share their experiences of the bodily exercises through verbal and embodied conduct. We focus on how verbal description and bodily enactment of the experience mutually elaborate each other, and how the experienced sensorimotor and affective qualities are made to be witnessed and recognized by the others. Participants describe their experiences without naming qualities. Instead, a display of the experienced qualities is made accessible to others through coordinating the unfolding talk and bodily conduct. In particular, we show how grammatical and action projection is fulfilled by interconnected verbal and embodied conduct, with body movement and posture giving off ineffable experiential qualities. The moving body appears both as a source of the experience and as a resource for depicting perceived qualities to others; additional resources (non-specific person reference and gaze aversion) contribute to organizing the subjective and intersubjective layers of the reflection of the experiences. The study contributes to and extends recent research on sensoriality in interaction by focusing on phenomena of proprioception and interoception. The data are two cases drawn from 60 h of video-recordings made in the context of a devised community theater project. The data are in Finnish with English translations.
Le chevauchement, c’est-à-dire la prise de parole simultanée d'au moins deux locuteurs, est un phénomène omniprésent dans la conversation. Inscrit dans le cadre théorique de l'Analyse Conversationnelle et de la linguistique interactionnelle, notre travail se penche sur la parole simultanée considérée comme un phénomène systématique et ordonné qui appartient aux pratiques routinières de l'alternance des tours de parole. Nos analyses se fondent sur des transcriptions d'enregistrements vidéo de données interactionnelles naturelles, des conversations ordinaires en français et en allemand. Nous ne portons pas uniquement un regard sur le chevauchement en tant que phénomène audible, mais le concevons comme une pratique incarnée en interaction, qui est également implémentée par des ressources visibles. À l'analyse séquentielle s'ajoute donc une analyse multimodale, qui nous permet de tenir compte des constellations participatives dynamiques lors du chevauchement. Le travail analytique se focalise sur trois phénomènes spécifiques dans lesquels la parole simultanée intervient de manière significative : d'abord l'auto-répétition faisant suite au chevauchement, ensuite l'abandon de tour de parole d'un locuteur lors de la parole simultanée et enfin la complétion différée, la continuation retardée d'une prise de parole en chevauchement avec l'intervention d'un interlocuteur. Cette thèse contribue à une compréhension approfondie de ces trois phénomènes et démontre que l'organisation de la parole simultanée est étroitement liée à la gestion de trajectoires d'action complexes et de cadres participatifs dynamiques.
In this chapter, I will focus on the phenomenon of drop out, i.e., withdrawal from the turn due to overlapping talk, in order to reflect on the link between “unfinished” turns and participation framework. With the help of a sequential and multimodal analysis inspired by the conversation analytical approach, I will show that dropping out from a turn is strongly linked to the availability displayed by potential recipients of a turn-at-talk. Although conversation analysis has described in detail the systematics of overlapping talk, especially of its onset (Jefferson 1973, 1983, 1986) and its resolution (Scheg-loff 2000; Jefferson 2004), the phenomenon of withdrawal from a turn due to simultaneous talk has not been investigated in detail. While it seems to bedifficult to describe this interactional practice by referring exclusively to syntactic features (incompleteness of the turn), I suggest looking at turn withdrawal from a multimodal perspective (e.g. Goodwin 1980, 1981; Mondada2007a; Schmitt 2005), taking into account visible resources like gaze or gesture. The problem of continuing or stopping a turn-in-progress in overlapping talk can be closely linked to the participation framework (Goodwin and Goodwin 2004), as speakers do visibly take into account their recipient’s availability and coordinate their turn construction with the dynamic changes of the participation framework and the interactional space.
This paper aims at contributing to the analysis of overlaps in turns-at-talk from both a sequential and a multimodal perspective. Overlaps have been studied within Conversation Analysis by focusing mainly on verbal and vocal resources; taking into account multimodal resources such as gesture, bodily posture, and gaze contributes to a better understanding of participants’ orientations to the sequential organization of overlapping talk and their management of speakership. First, we introduce the way in which overlaps have been studied in Conversation Analysis, mainly by Jefferson (1973, 1983, 2004) and Schegloff (2000); then we propose possible implications of their multimodal analysis. In order to demonstrate that speakers systematically orient to the overlap onset and resolution we analyze the multimodal conduct of overlapped speakers. Findings show methodical variations in trajectories of overlap resolution: speakers’ gestures in overlap display themselves as maintaining or withdrawing their turn, thereby exhibiting the speakership achieved and negotiated during overlap.
This paper offers a detailed analysis of the opening of an international meeting. English Lingua Franca as the official language of the meeting is actively discussed and negotiated by the participants. The analysis highlights the issues identified by the participants themselves in choosing a linguistic regime for their professional exchanges. The English Lingua Franca regime is aimed at facilitating the participation of some of the participants, but creates problems for others, too. The chairman deals with this situation in an embodied way (through his gaze, gesture, bodily postures, and by the way in which he walks through the room), displaying that he orients to different member categories (such as 'anglophone', 'anglophone who can understand French', 'francophile', etc.) as benefitting from or resisting against the definitive language choice.
Dropping out of overlap is a frequent practice for overlap resolution (Schegloff, 2000, Jefferson, 2004) in interaction, as it re-establishes the “one-at-a-time” principle of the turn-taking system (Sacks et al., 1974). While it is appropriate to analyze the practice of dropping out of overlap as a verbal and thus audible phenomenon, a close look at video data reveals that withdrawing from an action trajectory is also an embodied practice. Based on a fine-grained multimodal analysis (C. Goodwin, 1981, Mondada, 2007a, Mondada, 2007b) of videotaped interactions in French, this paper illustrates how overlapped speakers organize the momentary suspension of their action trajectory in visible ways. Indeed, participants do not instantly withdraw from their action trajectory when they stop talking. By using bodily resources, they are able to display continuous monitoring of the availability of their co-participants and of the next possible slot for resuming their suspended action. I therefore suggest analyzing the drop out of overlap as the first step of withdrawal, as definitive, embodied withdrawal can occur later, or, in case of resumption, not at all. Consequently, my paper analyzes withdrawal as a good example of strengthening the analytic concept of embodiment with regard to turn-taking practices in interaction.
Bisherige linguistische Studien zum mündlichen Erzählen beziehen sich vornehmlich auf die Beschreibung verbaler und vokaler Verfahren. Erzählen findet jedoch häufig unter den Bedingungen der zeitlich-räumlichen Ko-Präsenz der SprecherInnen statt, die den Gebrauch von körperlichen und materiellen Ressourcen ermöglicht. Der vorliegende einleitende Beitrag des Themenheftes modelliert Erzählen daher als körpergebundene und verkörperlichte Praktik, die es im Rahmen von interaktionalen und sequenzorientierten Analyseansätzen zu beschreiben gilt. Im Anschluss an die Darstellung von Entwicklungslinien der soziolinguistischen und interaktional-gesprächsanalytischen Untersuchung konversationellen Erzählens wird ein Überblick über bisherige Befunde zur multimodalen Ausgestaltung des Erzählens in der face-to-face-Interaktion gegeben. Abschließend werden grundlegende Fragestellungen skizziert, deren Beantwortung im Rahmen einer multimodalen Erzählanalyse die tatsächliche Alltagspraxis des Erzählens umfassender zu erschließen vermag.
The present paper explores how rules are enforced and talked about in everyday life. Drawing on a corpus of board game recordings across European languages, we identify a sequential and praxeological context for rule talk. After a game rule is breached, a participant enforces proper play and then formulates a rule with an impersonal deontic statement (e.g. “It’s not allowed to do this”). Impersonal deontic statements express what may or may not be done without tying the obligation to a particular individual. Our analysis shows that such statements are used as part of multi-unit and multi-modal turns where rule talk is accomplished through both grammatical and embodied means. Impersonal deontic statements serve multiple interactional goals: they account for having changed another’s behavior in the moment and at the same time impart knowledge for the future. We refer to this complex action as an “instruction.” The results of this study advance our understanding of rules and rule-following in everyday life, and of how resources of language and the body are combined to enforce and formulate rules.
There has been a long-standing interest in projection and the resources on which participants rely to produce and recognize the import and organization of turns at talk. Less attention has been paid to the character of the activity in which utterances form part and the ways in which embodied action enables the intelligibility, coordination, and in some cases, coproduction, of particular actions. In this article, we focus on specialized forms of embodied, institutional activity and focus in particular on simultaneity and the ways in which bodily action enables the progressive formation and reformation of an activity in the light of the (co)participants’ emerging contributions. We address how the routine structure of particular tasks enables participants to anticipate, prepare for, and even initiate actions in advance of the relevant activity and in turn, how participants may seek to ameliorate the interactional import of potentially premature action. The articles explores the interplay of technical practice and interactional organization and points to the distinctive character of embodied action in understanding anticipation and coordination in complex forms of institutional interaction.