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In social interaction, different kinds of word-meaning can become problematic for participants. This study analyzes two meta-semantic practices, definitions and specifications, which are used in response to clarification requests in German implemented by the format Was heißt X (‘What does X mean?’). In the data studied, definitions are used to convey generalizable lexical meanings of mostly technical terms. These terms are either unknown to requesters, or, in pedagogical contexts, requesters ask in order to check the addressee’s knowledge. Specifications, in contrast, clarify aspects of local speaker meanings of ordinary expressions (e.g., reference, participants in an event, standards applied to scalar expressions). Both definitions and specifications are recipient-designed with respect to the (presumed) knowledge of the addressee and tailored to the topical and practical relevancies of the current interaction. Both practices attest to the flexibility and situatedness of speakers’ semantic understandings and to the systematicity of using meta-semantic practices differentially for different kinds of semantic problems. Data are come from mundane and institutional interaction in German from the public corpus FOLK.
Rejecting the validity of inferred attributions of incompetence in German talk-in-interaction
(2024)
This paper deals with pragmatic inference from the perspective of Conversation Analysis. In particular, we examine a specific variety of inferences - the attribution of incompetence which Self constructs on the basis of Other's prior action, hearable as positioning Self as incompetent (e.g., instructions, offers of assistance, advice); this attribution of incompetence concerns Self's execution of some practical task. This inference is indexed in Self's response, which highlights Self's expertise, or competence concerning the task at hand. We focus on two recurrent types of such responses in our data: (i) accounting for competence through formulations of prior experience with carrying out a practical action and (ii) explicit claims of competence for accomplishing this action. We analyze the interactional environments in which these responses occur, the ways in which the two practices index Self's understanding of being positioned as incompetent and the interactional work they do. Finally, we discuss how through rejecting and inferred attribution of incompetence, Self implicitly seeks to restore their face and defend their autonomy as an agent, yet, without entering an explicit identity-negotiation. Findings rest on the analysis of 20 cases found in video-recordings of naturally occurring talk-in-interaction in German from the corpus FOLK.
Meaning in interaction
(2024)
This editorial to the Special Issue on “Meaning in Interaction” introduces to the approach of Interactional Semantics, which has been developed over the last years within the framework of Interactional Linguistics. It discusses how “meaning” is understood and approached in this framework and lays out that Interactional Semantics is interested in how participants clarify and negotiate the meanings of the expressions that they are using in social interaction. Commonalities and differences of this approach with other approaches to meaning are flagged, and the intellectual origins and precursors of Interactional Semantics are introduced. The contributions to the Special Issue are located in the larger field of research.
In workplace settings, skilled participants cooperate on the basis of shared routines in smooth and often implicit ways. Our study shows how interactional histories provide the basis for routine coordination. We draw on theater rehearsals as a perspicuous setting for tracking interactional histories. In theater rehearsals, the process of building performing routines is in focus. Our study builds on collections of consecutive performances of the same instructional task coming from a corpus of video-recordings of 30 h of theater rehearsals of professional actors in German. Over time, instructions and their implementations are routinely coordinated by virtue of accumulated shared interactional experience: Instructions become shorter, the timing of responses becomes increasingly compacted and long negotiations are reduced to a two-part sequence of instruction and implementation. Overall, a routine of how to perform the scene emerges. Over interactional histories, patterns of projection of next actions emanating from instructions become reliable and can be used by respondents as sources for anticipating and performing relevant next actions. The study contributes to our understanding of how shared knowledge and routines accumulate over shared interactional experiences in publicly performed and reciprocally perceived ways and how this impinges on the efficiency of joint action.
In theater as a bodily-spatial art form, much emphasis is placed on the way actors perform movements in space as an important multimodal resource for creating meaning. In theater rehearsals, movements are created in series of directors' instructions and actors' implementations. Directors' instructions on how to conduct a movement often draw on embodied demonstrations in contrast to verbal descriptions. For instance, to instruct an actress to act like a school girl a director can use depictive (he demonstrates the expected behavior) instead of descriptive (“can you act like a school girl”) means. Drawing on a corpus of 400 h video recordings of rehearsal interactions in three German professional theater productions, from which we selected 265 cases, we examine ways to instruct movement-based actions in theater rehearsals. Using a multimodally extended ethnomethodological-conversation analytical approach, we focus on the multimodal details that constitute demonstrations as complex action types. For the present article, we have chosen nine instances, through which we aim to illuminate (1) The difference in using embodied demonstrations versus verbal descriptions to instruct; (2) typical ways directors combine verbal descriptions with embodied demonstrations in their instructions. First, we ask what constitutes a demonstration and what it achieves in comparison to verbal descriptions. Using a typical case, we illustrate four characteristics of demonstrations that all of the cases we studied share. Demonstrations (1) are embedded in instructional activities; (2) show and do not tell; (3) are responded to by emulating what was shown; (4) are rhetorically shaped to convey the instruction's focus. However, none of the 265 demonstrations we investigated were produced without verbal descriptions. In a second step we therefore ask in which typical ways verbal descriptions accompany embodied demonstrations when directors instruct actors how to play a scene. We distinguish four basic types. Verbal descriptions can be used (1) to build the demonstration itself; (2) to delineate a demonstration verbally within an instruction; (3) to indicate positive (what should be done) and negative (what should be avoided) versions of demonstrations; (4) as an independent means to describe the instruction's focus in addition to the demonstration. Our study contributes to research on how embodied resources are used to create meaning and how they combine with and depend on verbal resources.
Metadaten zu Gesprächen und den beteiligten Sprecher/-innen enthalten Informationen, die für die Beschreibung, Erschließung und Analyse von Korpora wichtig sind. Bisher werden sie jedoch in der Konversationsanalyse und der Interaktionalen Linguistik so gut wie nicht genutzt. Dieser Beitrag zeigt exemplarisch, wie Metadaten des Gesprächskorpus „Forschungs- und Lehrkorpus Gesprochenes Deutsch“ (FOLK) im Rahmen einer interaktionslinguistischen Untersuchung verwendet werden können, um Regularitäten der Verwendung einer untersuchten Gesprächspraktik zu identifizieren und ihren Zusammenhang mit den Eigenschaften von Aktivitäten und Sprecherrollen zu klären. In allgemeinerer Perspektive diskutiert der Beitrag, wie und an welchen Stellen einer interaktionslinguistischen Untersuchung Metadaten von Nutzen sein können und wie ihr Stellenwert im Rahmen dieser Methodologie kritisch reflektiert werden muss.
Using multimodal conversation analysis, we investigate how novices learning the “inner body” acting technique in the context of a community theater project share their experiences of the bodily exercises through verbal and embodied conduct. We focus on how verbal description and bodily enactment of the experience mutually elaborate each other, and how the experienced sensorimotor and affective qualities are made to be witnessed and recognized by the others. Participants describe their experiences without naming qualities. Instead, a display of the experienced qualities is made accessible to others through coordinating the unfolding talk and bodily conduct. In particular, we show how grammatical and action projection is fulfilled by interconnected verbal and embodied conduct, with body movement and posture giving off ineffable experiential qualities. The moving body appears both as a source of the experience and as a resource for depicting perceived qualities to others; additional resources (non-specific person reference and gaze aversion) contribute to organizing the subjective and intersubjective layers of the reflection of the experiences. The study contributes to and extends recent research on sensoriality in interaction by focusing on phenomena of proprioception and interoception. The data are two cases drawn from 60 h of video-recordings made in the context of a devised community theater project. The data are in Finnish with English translations.
In workplace settings, skilled participants cooperate on the basis of shared routines in smooth and often implicit ways. Our study shows how interactional histories provide the basis for routine coordination. We draw on theater rehearsals as a perspicuous setting for tracking interactional histories. In theater rehearsals, the process of building performing routines is in focus. Our study builds on collections of consecutive performances of the same instructional task coming from a corpus of video-recordings of 30 h of theater rehearsals of professional actors in German. Over time, instructions and their implementations are routinely coordinated by virtue of accumulated shared interactional experience: Instructions become shorter, the timing of responses becomes increasingly compacted and long negotiations are reduced to a two-part sequence of instruction and implementation. Overall, a routine of how to perform the scene emerges. Over interactional histories, patterns of projection of next actions emanating from instructions become reliable and can be used by respondents as sources for anticipating and performing relevant next actions. The study contributes to our understanding of how shared knowledge and routines accumulate over shared interactional experiences in publicly performed and reciprocally perceived ways and how this impinges on the efficiency of joint action.
Hintergrund: Die digitale Transformation prägt gesellschaftliche Systeme weltweit. Digital Health umfasst verschiedene Bereiche, wie z. B. die Verfügbarkeit und Auswertung von Daten, die Möglichkeit der Vernetzung innerhalb der eigenen Berufs- oder Betroffenengruppe und die Art, wie Patient*innen, Angehörige und Behandler*innen miteinander kommunizieren.
Ziel der Arbeit: Digital Health wird mit ihren Auswirkungen auf die Beziehung und die Kommunikation zwischen Patient*innen, Angehörigen und Behandler*innen beleuchtet. Veränderungen, die bereits erkennbar sind, werden beschrieben und Perspektiven aufgezeigt.
Methoden: Das Thema wird aus sozialphilosophischer, sprachwissenschaftlicher und ärztlicher Perspektive in folgenden Bereichen exploriert: digitale vs. analoge Kommunikation, Narration vs. Datensammeln, Internet und soziale Medien als Informationsquelle, Raum für Identitätsbildung und Veränderung der Interaktion von Patient*innen, Angehörigen und Behandler*innen.
Ergebnisse: Die Erweiterung der Interaktion zwischen Patient*innen und Ärzt*innen auf digitale und Präsenzformate sowie die asynchrone und synchrone Kommunikation erhöhen die Komplexität, aber auch die Flexibilität. Die Fokussierung auf „objektive“ Daten kann den Blick auf die Person mit ihrer individuellen Biografie beeinträchtigen, während digitale Räume die Möglichkeiten zur Identitätsbildung aufseiten der Patient*innen und für die Interaktion deutlich erweitern.
Diskussion: Bereits jetzt zeigen sich Vorteile der Digitalisierung (z. B. besseres Selbstmanagement) und Nachteile (Fokussierung auf Daten statt auf die Person). Für den kinder- und jugendärztlichen Bereich bestehen die Notwendigkeiten, professionelle kommunikative Kompetenzen und professionelle Gesundheitskompetenz zu erweitern sowie die Organisation seiner Versorgungseinrichtungen weiterzuentwickeln.
Der Beitrag illustriert die Nutzung des Forschungs- und Lehrkorpus Gesprochenes Deutsch (FOLK) für interaktionslinguistische Fragestellungen anhand einer exemplarischen Studie. Zunächst werden die Stratifikation (Datenkomposition) des Korpus, das zugrundeliegende Datenmodell und dessen Annotationsebenen sowie Typen von Untersuchungsinteressen vorgestellt, für die das Korpus nutzbar ist. Im Hauptteil wird Schritt für Schritt anhand einer Studie zur Verwendung des Formats was heißt X in der sozialen Interaktion gezeigt, wie mit FOLK relevante Daten gefunden und analysiert werden können. Abschließend weisen wir auf einige Vorsichtsmaßnahmen bei der Benutzung des Korpus hin.
Der vorliegende Beitrag untersucht aus interaktionslinguistischer Perspektive, wie Prinzipien deliberativer Demokratie in den Schlichtungsgesprächen zu Stuttgart 21 umgesetzt wurden. Wir konzentrieren uns dabei auf Interventionen, in denen der Schlichter Heiner Geißler die Wahrung von Verständlichkeit und Interessen der Bürger/-innen anmahnt, sowie Verletzungen der Wahrheitsnorm sanktioniert. Wir zeigen, wie Bürger/-innen sowie Normen und Werte rhetorisch als Ressource für das Einhalten von Verfahrensregeln genutzt werden, aber auch den Interessen des Schlichters selbst dienen. Dabei werden die Verfahrenswerte nicht immer einheitlich priorisiert. Die zugrunde liegende politische Diskussion wird zu Gunsten der Durchsetzung des Konstrukts ‚Faktenschlichtung‘ ausgeklammert.
Action ascription can be understood from two broad perspectives. On one view, it refers to the ways in which actions constitute categories by which members make sense of their world, and forms a key foundation for holding others accountable for their conduct. On another view, it refers to the ways in which we accountably respond to the actions of others, thereby accomplishing sequential versions of meaningful social experience. In short, action ascription can be understood as matter of categorisation of prior actions or responding in ways that are sequentially fitted to prior actions, or both. In this chapter, we review different theoretical approaches to action ascription that have developed in the field, as well as the key constituents and resources of action ascription that have been identified in conversation analytic research, before going on to discuss how action ascription can itself be considered a form of social action.
While the role of intentions in the constitution of actions gives rise to complex and heavily controversial questions, it appears to be indisputable that action ascription in interaction mostly does without any overt ascription of intention. Yet, sometimes participants explicitly ascribe intentions to their interlocutors in order to make sense of their prior actions. The chapter examines intention ascriptions in response to a partner’s adjacent prior turn using the German modal verb construction willst du/wollen Sie (do you want). The analysis focuses on the aspect of the prior action the intention ascription addresses (action type, projected next action, motive etc.), the action the intention ascription performs itself, and the next action they make relevant from the prior speaker. It was found that intention ascriptions are used to clarify and intersubjectively ground the meaning of the prior turn, which seems otherwise underspecified, ambiguous or puzzling. Yet, they are also used to adumbrate criticism, e.g., that the prior turn projects a course of future actions which is considered to be inadequate, or to expose a concealed, problematic allegedly “real” meaning of the prior turn.
Mock fiction is a genre of humorous, fictional narratives. It is pervasive in adolescents’ peer-group interaction. Building on a corpus of informal peer-group interaction among 14 to 17 year-old German adolescents, it is shown how mock fiction is used to sanction identity-claims of peer-group co-members that are taken to be inadequate by the teller of a mock fiction. Mock fiction exposes and ridicules those claims by fictional exaggeration. Mock fiction is an indirect, yet sometimes even highly abusive means for criticizing and negotiating identities and statuses of peer-group members. The analysis shows how mock fiction is collaboratively produced, how it is used to convey criticism and to negotiate social norms indirectly, and how, in addition, it allows for performative self-positioning of the tellers as skilled, entertaining tellers and socio-psychological diagnosticians.
How do people’s interactional practices change over time? Can conversation analysis identify those changes, and if so, how? In this introductory article, we scrutinize the novel insights that can be gained from examining interactional practices over time and discuss the related methodological challenges for longitudinal CA. We first retrace CA’s interest in the temporality of social interaction and then review three lines of current CA work on change over time: developmental studies, studies of sociohistorical change, and studies of joint interactional histories. Existing work shows how the execution of locally coordinated actions and their meanings change over time; how prior actions inform future actions; and how resources, practices, and structures of joint action emerge over people’s repeated interactional encounters. We conclude by arguing that the empirical analysis of the microlevel organization of social interaction, which is the hallmark of CA, can elucidate the fine-grained situated interactional infrastructure that provides for the larger-scale social dynamics that have been of interest to other lines of research.
Taking the use of the esthetic term wabi sabi (Japanese compound noun) in a series of German- and English-language theater rehearsals as an example, this article studies the emergence of shared meanings and uses of an expression over an interactional history. We track how shared understandings and uses of wabi sabi develop over the course of a series of theater rehearsals. We focus on the practices by which understandings of wabi sabi are displayed, adopted, and negotiated. We discuss complexities and intransparencies of the manifestation of common ground in multiparty interactions and its relationship to the emergence of routine uses of the expression. Data are in English and German with English translation.
Research on multimodal interaction has shown that simultaneity of embodied behavior and talk is constitutive for social action. In this study, we demonstrate different temporal relationships between verbal and embodied actions. We focus on uses of German darf/kann ich? (“may/can I?”) in which speakers initiate, or even complete the embodied action that is addressed by the turn before the recipient’s response. We argue that through such embodied conduct, the speaker bodily enacts high agency, which is at odds with the low deontic stance they express through their darf/kann ich?-TCUs. In doing so, speakers presuppose that the intersubjective permissibility of the action is highly probable or even certain. Moreover, we demonstrate how the speaker’s embodied action, joint perceptual salience of referents, and the projectability of the action addressed with darf/kann ich? allow for a lean syntactic design of darf/kann ich?-TCUs (i.e., pronominalization, object omission, and main verb omission). Our findings underscore the reflexive relationship between lean syntax, sequential organization and multimodal conduct.