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The idea of this article is to take the immaterial and somehow ethereal nature of aesthetic concepts seriously by asking how aesthetic concepts are negotiated and thus formed in communication. My examples come from theatrical production where aesthetic decisions naturally play a major role. In the given case, an aesthetic concept is introduced with which only the director, but none of the actors is familiar in the beginning of the rehearsals. The concept, Wabi Sabi, comes from Japanese culture. As the whole rehearsal process was video recorded, it is possible to track the process of how the concept is negotiated and acquired over time. So, instead of defining criteria what Wabi Sabi as an aesthetic concept “consists of,” this article seeks to show how the concept is introduced, explained and “used” within a practical context, in this case a theater rehearsal. In contrast to conventional models of aesthetic experience, I am interested in the ways in which an aesthetic concept is configured in and through socially organized interaction, and — vice versa — how that interaction contributes to the situational accomplishment of the same concept. In short: I am interested in the “doing” of aesthetic concepts, especially in “doing Wabi Sabi.”
In this article, we provide an insight into the development and application of a corpus-lexicographic tool for finding neologisms that are not yet listed in German dictionaries. As a starting point, we used the words listed in a glossary of German neologisms surrounding the COVID-19 pandemic. These words are lemma candidates for a new dictionary on COVID-19 discourse in German. They also provided the database used to develop and test the NeoRate tool. We report on the lexicographic work in our dictionary project, the design and functionalities of NeoRate, and describe the first test results with the tool, in particular with regard to previously unregistered words. Finally, we discuss further development of the tool and its possible applications.
Tense, aspect, and mood are grammatical categories concerned with different notional facets of the event or situation conveyed by a given clause. They are prototypically expressed by the verbal system. Tense can be defined as a category that relates points or intervals in time to one another; in a most basic model, those include the time of the event or situation referred to and the speech time. The former may precede the latter (“past”), follow it (“future”), or be simultaneous with it (or at least overlap with it; “present”). Aspect is concerned with the internal temporal constituency of the event or situation, which may be viewed as a single whole (“perfective”) or with particular reference to its internal structure (“imperfective”), including its being ongoing at a certain point in time (“progressive”). Mood, in a narrow, morphological sense, refers to the inflectional realization of modality, with modality encompassing a large and varying set of sub-concepts such as possibility, necessity, probability, obligation, permission, ability, and volition. In the domain of tense, all Germanic languages make a distinction between non-past and past. In most languages, the opposition can be expressed inflectionally, namely, by the present and preterite (indicative). All modern languages also have a periphrastic perfect as well as periphrastic forms that can be used to refer to future events. Aspect is characteristically absent as a morphological category across the entire family, but most, if not all, modern languages have periphrastic forms for the expression of aspectual categories such as progressiveness. Regarding mood, Germanic languages are commonly described as distinguishing up to three such form paradigms, namely, indicative, imperative, and a third one referred to here as subjunctive. Morphologically distinct subjunctive forms are, however, more typical of earlier stages of Germanic than they are of most present-day languages.
Seit 1977 wird in Deutschland jedes Jahr ein Wort bzw. eine Wortsequenz zum „Wort des Jahres“ gekürt. Vorgenommen wird die Wahl von einer Jury, die sich aus Mitgliedern der Gesellschaft für deutsche Sprache (GfdS) zusammensetzt. In der deutschsprachigen Schweiz gibt es eine solche Aktion ebenfalls (seit 2003); inzwischen wird das Wort des Jahres aber nicht mehr nur auf Deutsch, sondern auch auf Französisch, Italienisch und Rätoromanisch gewählt. Wenn im Folgenden vom „Schweizer Wort des Jahres“ die Rede ist, ist damit aber immer nur das Deutschschweizer Jahreswort gemeint. Durchgeführt wird die Aktion von einem Forschungsteam, das an der Zürcher Hochschule für Angewandte Linguistik (ZHAW) tätig ist.
Jeden Tag finden weltweit über 40 innerstaatliche Konflikte und Kriege statt. Nach dem letzten Stand (14.11.2022) werden in Subsahara-Afrika 13, im Nahen Osten und in Nordafrika zehn und in Asien ebenfalls zehn Konflikte erwähnt. Aus Europa und Lateinamerika wird jeweils über fünf Konflikte berichtet. 2023 kam es zu neuen Konflikten und Kriegen in der Welt, über die jedoch noch keine Statistik vorhanden ist. Der russische Angriffskrieg gegen die Ukraine ist aber seit Anfang 2022 in den Weltmedien omnipräsent geworden. Somit wurde der Begriff Krieg auf verschiedene Weise in vielen internationalen Kontexten und Textquellen interpretiert und umschrieben, dann aber deutlich zum Ausdruck gebracht.
The ubiquity of smartphones has been recognised within conversation analysis as having an impact on conversational structures and on the participants’ interactional involvement. However, most of the previous studies have relied exclusively on video recordings of overall encounters and have not systematically considered what is taking place on the device. Due to the personal nature of smartphones and their small displays, onscreen activities are of limited visibility and are thus potentially opaque for both the co-present participants (“participant opacity”) and the researchers (“analytical opacity”). While opacity can be an inherent feature of smartphones in general, analytical opacity might not be desirable for research purposes. This chapter discusses how a recording set-up consisting of static cameras, wearable cameras and dynamic screen captures allowed us to address the analytical opacity of mobile devices. Excerpts from multi-source video data of everyday encounters will illustrate how the combination of multiple perspectives can increase the visibility of interactional phenomena, reveal new analytical objects and improve analytical granularity. More specifically, these examples will emphasise the analytical advantages and challenges of a combined recording set-up with regard to smartphone use as multiactivity, the role of the affordances of the mobile device, and the prototypicality and “naturalness” of the recorded practices.