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"Standard language" is a contested concept, ideologically, empirically and theoretically. This is particularly true for a language such as German, where the standardization of the spoken language was based on the written standard and was established with respect to a communicative situation, i.e. public speech on stage (Bühnenaussprache), which most speakers never come across. As a consequence, the norms of the oral standard exhibit many features which are infrequent in the everyday speech even of educated speakers. This paper discusses ways to arrive at a more realistic conception of (spoken) standard German, which will be termed "standard usage". It must be founded on empirical observations of speakers linguistic choices in everyday situations. Arguments in favor of a corpus-based notion of standard have to consider sociolinguistic, political, and didactic concerns. We report on the design of a large study of linguistic variation conducted at the Institute for the German Language (project "Variation in Spoken German", Variation des gesprochenen Deutsch) with the aim of arriving at a representative picture of "standard usage" in contemporary German. It systematically takes into account both diatopic variation covering the multi-national space in which German an official language, and diastratic variation in terms of varying degrees of formality. Results of the study of phonetic and morphosyntactic variation are discussed. At least for German, a corpus-based notion of "standard usage" inevitably includes some degree of pluralism concerning areal variation, and it needs to do justice to register-based variation as well.
Authors like Fillmore 1986 and Goldberg 2006 have made a strong case for regarding argument omission in English as a lexical and construction-based affordance rather than one based on general semantico-pragmatic constraints. They do not, however, address the question of how grammatical restrictions on null complementation might interact with broader narrative conventions, in particular those of genre. In this paper, we attempt to remedy this oversight by presenting a comprehensive overview of genre-based argument omissions and offering a construction-based analysis of genre-based omission conventions. We consider five genre-based omission types: instructional imperatives (Culy 1996, Bender 1999), labelese, diary style (Haegeman 1990), match reports (Ruppenhofer 2004) and quotative clauses. We show that these omission types share important traits; all, for example, have anaphoric rather than indefinite construals. We also show, however, that the omission types differ from each other in idiosyncratic ways. We then address several interrelated representational problems posed by the grammatical treatment of genre-based omissions. For example, the constructions that represent genre-based omission conventions must interact with the lexical entries of verbs, many of which do not generally permit omitted arguments. Accordingly, we offer constructional analyses of genre-based omissions that allow constructions to override lexical valence constraints.
Our paper deals with the use of ICH WEIß NICHT (‘I don’t know’) in German talk-in-interaction. Pursuing an Interactional Linguistics approach, we identify different interactional uses of ICH WEIß NICHT and discuss their relationship to variation in argument structure (SV (O), (O)VS, V-only). After ICH WEIß NICHT with full complementation, speakers emphasize their lack of knowledge or display reluctance to answer. In contrast, after variants without an object complement, in contrast, speakers display uncertainty about the truth of the following proposition or about its sufficiency as an answer. Thus, while uses with both subject and object tend to close a sequence or display lack of knowledge, responses without an object, in contrast, function as a prepositioned epistemic hedge or a pragmatic marker framing the following TCU. When ICH WEIß NICHT is used in response to a statement, it indexes disagreement (independently from all complementation patterns).
In this paper we present an evaluation of rule-based morphological components for German for use in an interactive editing environment. The criteria for the evaluation are deduced from the intended use of these components, namely availability, performance, programming interfaces, and analysis quality. We evaluated systems developed and maintained since decades as well as new systems. However, we note serious general shortcomings when looking closer at recent implementations and come to the conclusion that the oldest system is the only one that satisfies our requirements.
This paper is concerned with a novel methodology for generating phonetic questions used in tree-based state tying for speech recognition. In order to implement a speech recognition system, language-dependent knowledge which goes beyond annotated material is usually required. The approach presented here generates phonetic questions for decision trees are based on a feature table that summarizes the articulatory characteristics of each sound. On the one hand, this method allows better language-specific triphone models to be defined given only a feature-table as linguistic input. On the other hand, the feature-table approach facilitates efficient definition of triphone models for other languages since again only a feature table for this language is required. The approach is exemplified with speech recognition systems for English and Thai.
The English language has taken advantage of the Digital Revolution to establish itself as the global language; however, only 28.6 %of Internet users speak English as their native language. Machine Trans-lation (MT) is a powerful technology that can bridge this gap. In devel-opment since the mid-20th century, MT has become available to every Internet user in the last decade, due to free online MT services. This paper aims to discuss the implications that these tools may have for the privacy of their users and how they are addressed by EU data protec-tion law. It examines the data-flows in respect of the initial processing (both from the perspective of the user and the MT service provider) and potential further processing that may be undertaken by the MT service provider.
The paper presents the results of a joint effort of a group of multimodality researchers and tool developers to improve the interoperability between several tools used for the annotation and analysis of multimodality. Each of the tools has specific strengths so that a variety of different tools, working on the same data, can be desirable for project work. However this usually requires tedious conversion between formats. We propose a common exchange format for multimodal annotation, based on the annotation graph (AG) formalism, which is supported by import and export routines in the respective tools. In the current version of this format the common denominator information can be reliably exchanged between the tools, and additional information can be stored in a standardized way.