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Ancient Chinese poetry is constituted by structured language that deviates from ordinary language usage; its poetic genres impose unique combinatory constraints on linguistic elements. How does the constrained poetic structure facilitate speech segmentation when common linguistic and statistical cues are unreliable to listeners in poems? We generated artificial Jueju, which arguably has the most constrained structure in ancient Chinese poetry, and presented each poem twice as an isochronous sequence of syllables to native Mandarin speakers while conducting magnetoencephalography (MEG) recording. We found that listeners deployed their prior knowledge of Jueju to build the line structure and to establish the conceptual flow of Jueju. Unprecedentedly, we found a phase precession phenomenon indicating predictive processes of speech segmentation—the neural phase advanced faster after listeners acquired knowledge of incoming speech. The statistical co-occurrence of monosyllabic words in Jueju negatively correlated with speech segmentation, which provides an alternative perspective on how statistical cues facilitate speech segmentation. Our findings suggest that constrained poetic structures serve as a temporal map for listeners to group speech contents and to predict incoming speech signals. Listeners can parse speech streams by using not only grammatical and statistical cues but also their prior knowledge of the form of language.
Meaning in interaction
(2024)
This editorial to the Special Issue on “Meaning in Interaction” introduces to the approach of Interactional Semantics, which has been developed over the last years within the framework of Interactional Linguistics. It discusses how “meaning” is understood and approached in this framework and lays out that Interactional Semantics is interested in how participants clarify and negotiate the meanings of the expressions that they are using in social interaction. Commonalities and differences of this approach with other approaches to meaning are flagged, and the intellectual origins and precursors of Interactional Semantics are introduced. The contributions to the Special Issue are located in the larger field of research.
Fragen, meist mit systemisch-lösungsorientiertem Hintergrund, gelten im Coaching als Königsweg für den Erfolg. Entsprechend ist eine große Anzahl an Publikationen entstanden, die diese zentrale Intervention in den Blick nehmen. In dieser Praxisliteratur werden Fragen dabei oftmals rezeptartig nach Typus, Funktion und möglichen Anwendungskontexten wie etwa Phasen geordnet sowie anhand dekontextualisierter Beispiele beschrieben. Fragen, die in Praxis- und Lehrbuchsammlungen aufgenommen wurden, sind aus der Theorie hergeleitet und in der Praxis erprobt. Allerdings finden sich in dieser Literatur auch empirisch nicht haltbare Aussagen wie etwa die negative Bewertung geschlossener Fragen. Außerdem stellt ihre dekontextualisierte Darstellungsform insbesondere für unerfahrene Coaches eine Herausforderung bei der Umsetzung ins konkrete Coaching-Handeln dar: Fragen sind immer eingebettet in einen Kontext und müssen auf die Anwesenden, die jeweilige kommunikative Interaktion mit ihnen sowie die lokale sequenzielle Struktur des Gesprächs übersetzt werden. Die wissenschaftliche Überprüfung, wie diese Fragensammlungen im Coaching (erfolgreich) ein- und umgesetzt werden, ist dabei insgesamt noch ganz am Anfang. Der vorliegende Beitrag berichtet von einem aktuellen interdisziplinären Forschungsprojekt, das Fragen in den empirischen Blick nimmt und dabei einen Übergang von Eminenz zur Evidenz ermöglicht. Der Beitrag liefert auch Ideen und Anregungen für Coaches, diese Übersetzungsarbeit zu leisten.
Drawing upon the transformative power of questions, the paper investigates questioning sequences from authentic coaching data to examine the systematic use of a particular succession of formulation and question and its impact on inviting self-reflection processes in the client and eliciting change. The object of investigation in this paper are therefore questioning sequences in which a coach asks a question immediately after a rephrasing or relocating action, prompting the client to respond in an explicit or implicit way. The coach hereby shifts the focus to a hypothetical scenario, prompting the client to change her perspective on the matter and reflect on her own statements, ideas and attitudes from an outside perspective. The paper aims to contribute to closing the research gap of the change potential of reflection-stimulating action techniques used by coaches, by investigating one of many ways of how questions can be powerful tools to invite a change of perspective for the client. The study focuses on one coaching process consisting of three sessions between a female coach and a female client, utilizing a single case study approach. The data collection was part of the interdisciplinary project “Questioning Sequences in Coaching”, comprising 14 authentic coaching processes. The analysis follows Peräkylä’s Transformative Sequences model, examining the first position including the formulation and the subsequent question, the client’s response, and the coach’s reaction to the response. On a practical level, the main purpose of this paper is not to contribute to the many ways practical literature recommends coaches how to do their work and how to ask questions, but rather to show in what ways the elicitation of self-reflection processes in clients has been achieved by other coaches in authentic coaching sessions.
A constructicon, i.e., a structured inventory of constructions, essentially aims at documenting functions of lexical and grammatical constructions. Among other parameters, so-called constructional collo-profiles, as introduced by Herbst (2018, 2020), are conclusive for determining constructional meanings. They provide information on how relevant individual words are for construction slots, they hint at usage preferences of constructions and serve as a helpful indicator for semantic peculiarities of constructions. However, even though collo-profiles constitute an indispensable component of constructicon entries, they pose major challengers for constructicographers: For a constructicographic enterprise it is not feasible to conduct collostructional analyses for hundreds or even thousands of constructions. In this article, we introduce a procedure based on the large language model BERT that allows to predict collo-profiles without having to extensively annotate instances of constructions in a given corpus. Specifically, by discussing the constructions X macht Y ADJP (‘x makes Y ADJ’, e.g. he drives him crazy) and N1 PREP N1 (e.g., bumper to bumper, constructions over constructions), we show how the developed automated system generates collo-profiles based on a limited number of annotated instances. Finally, we place collo-profiles alongside other dimensions of constructional meanings included in the German Constructicon.
Poetic diction routinely involves two complementary classes of features: (i) parallelisms, i.e. repetitive patterns (rhyme, metre, alliteration, etc.) that enhance the predictability of upcoming words, and (ii) poetic deviations that challenge standard expectations/predictions regarding regular word form and order. The present study investigated how these two prediction-modulating fundamentals of poetic diction affect the cognitive processing and aesthetic evaluation of poems, humoristic couplets and proverbs. We developed quantitative measures of these two groups of text features. Across the three text genres, higher deviation scores reduced both comprehensibility and aesthetic liking whereas higher parallelism scores enhanced these. The positive effects of parallelism are significantly stronger than the concurrent negative effects of the features of deviation. These results are in accord with the hypothesis that art reception involves an interplay of prediction errors and prediction error minimization, with the latter paving the way for processing fluency and aesthetic liking.
Studying the role of expertise in poetry reading, we hypothesized that poets’ expert knowledge comprises genre-appropriate reading- and comprehension strategies that are reflected in distinct patterns of reading behavior.
We recorded eye movements while two groups of native speakers (n=10 each) read selected Russian poetry: an expert group of professional poets who read poetry daily, and a control group of novices who read poetry less than once a month. We conducted mixed-effects regression analyses to test for effects of group on first-fixation durations, first-pass gaze durations, and total reading times per word while controlling for lexical- and text variables.
First-fixation durations exclusively reflected lexical features, and total reading times reflected both lexical- and text variables; only first-pass gaze durations were additionally modulated by readers’ level of expertise. Whereas gaze durations of novice readers became faster as they progressed through the poems, and differed between line-final words and non-final ones, poets retained a steady pace of first-pass reading throughout the poems and within verse lines. Additionally, poets’ gaze durations were less sensitive to word length.
We conclude that readers’ level of expertise modulates the way they read poetry. Our findings support theories of literary comprehension that assume distinct processing modes which emerge from prior experience with literary texts.
We report results from an exploratory study of college students’ conceptions of poetry in which we asked them to name three things they expect from a poem. Frequency- and list-based analyses of their responses revealed that they primarily expect poems to rhyme, but they also identified a number of form-, content-, and reception-related genre expectations, which we discuss in relation to relevant previous research. We propose that rhyme’s predominance in college students’ genre expectations reflects its perceptual and cognitive salience during incremental poetry comprehension rather than its frequency in contemporary poetic practice. Our results characterize the genre conceptions of the population that empirical studies of poetry comprehension typically investigate, and thus provide relevant background information for the interpretation of empirical
findings in this field.
We examined genre-specific reading strategies for literary texts and hypothesized that text categorization (literary prose vs. poetry) modulates both how readers gather information from a text (eye movements) and how they realize its phonetic surface form (speech production). We recorded eye movements and speech while college students (N = 32) orally read identical texts that we categorized and formatted as either literary prose or poetry. We further varied the text position of critical regions (text-initial vs. text-medial) to compare how identical information is read and articulated with and without context; this allowed us to assess whether genre-specific reading strategies make differential use of identical context information. We observed genre-dependent differences in reading and speaking tempo that reflected several aspects of reading and articulation. Analyses of regions of interests revealed that word-skipping increased particularly while readers progressed through the texts in the prose condition; speech rhythm was more pronounced in the poetry condition irrespective of the text position. Our results characterize strategic poetry and prose reading, indicate that adjustments of reading behavior partly reflect differences in phonetic surface form, and shed light onto the dynamics of genre-specific literary reading. They generally support a theory of literary comprehension that assumes distinct literary processing modes and incorporates text categorization as an initial processing step.