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Scripted Reality-Formate im deutschsprachigen Fernsehprogramm. Trinationale Programmanalyse und Konzeption einer kombinierten Produkt- und Produktionsanalyse

  • Scripted reality shows oscillate between fiction and nonfiction because based on a script they use amateur actors but also adopt the aesthetics of documentary-style reality television. Perception studies have proven that many viewers mistake the contents of such programs as everyday reality. An adequate framework to reveal these ambiguous relations needs to combine the product analysis with the additional analysis of the production aspects. That includes developing a categorization for (scripted) reality television, a combined analysis of the product and its production, and an analysis of the perception of scripted reality on television and through corresponding social media sites.

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  • Klug_Schmidt_Scripted_Reality_Formate_im_deutschsprachigen_Fernsehprogramm_2015.pdf
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Metadaten
Author:Daniel Klug, Axel SchmidtGND
URN:urn:nbn:de:bsz:mh39-50669
DOI:https://doi.org/doi:10.1016/j.scoms.2014.12.005
ISSN:1424-4896
Parent Title (English):Studies in Communication Sciences (SComS)
Publisher:Elsevier
Place of publication:Amsterdam
Document Type:Article
Language:German
Year of first Publication:2014
Date of Publication (online):2016/07/13
Reviewstate:Peer-review
Tag:Amateur actors; Factual entertainment; Media literacy; Production analysis; Reality TV; Scripted reality
Volume:14
Issue:2
First Page:108
Last Page:120
Note:
Dieser Beitrag ist aus urheberrechtlichen Gründen nicht frei zugänglich.
Dewey Decimal Classification:300 Sozialwissenschaften / 300 Sozialwissenschaften, Soziologie, Anthropologie
Open Access?:Nein
Licence (German):Es gilt das UrhG