Scripted Reality-Formate im deutschsprachigen Fernsehprogramm. Trinationale Programmanalyse und Konzeption einer kombinierten Produkt- und Produktionsanalyse
- Scripted reality shows oscillate between fiction and nonfiction because based on a script they use amateur actors but also adopt the aesthetics of documentary-style reality television. Perception studies have proven that many viewers mistake the contents of such programs as everyday reality. An adequate framework to reveal these ambiguous relations needs to combine the product analysis with the additional analysis of the production aspects. That includes developing a categorization for (scripted) reality television, a combined analysis of the product and its production, and an analysis of the perception of scripted reality on television and through corresponding social media sites.
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| Author: | Daniel Klug, Axel SchmidtGND |
|---|---|
| URN: | urn:nbn:de:bsz:mh39-50669 |
| DOI: | https://doi.org/doi:10.1016/j.scoms.2014.12.005 |
| ISSN: | 1424-4896 |
| Parent Title (English): | Studies in Communication Sciences (SComS) |
| Publisher: | Elsevier |
| Place of publication: | Amsterdam |
| Document Type: | Article |
| Language: | German |
| Year of first Publication: | 2014 |
| Date of Publication (online): | 2016/07/13 |
| Reviewstate: | Peer-review |
| Tag: | Amateur actors; Factual entertainment; Media literacy; Production analysis; Reality TV; Scripted reality |
| Volume: | 14 |
| Issue: | 2 |
| First Page: | 108 |
| Last Page: | 120 |
| Note: | Dieser Beitrag ist aus urheberrechtlichen Gründen nicht frei zugänglich. |
| DDC classes: | 300 Sozialwissenschaften / 300 Sozialwissenschaften, Soziologie, Anthropologie |
| Open Access?: | nein |
| Licence (German): |  Urheberrechtlich geschützt |