@incollection{Schmidt2018,
  author    = {Axel Schmidt},
  title     = {Prefiguring the future. Projections and preparations within theatrical rehearsals},
  series = {Time in embodied interaction. Synchronicity and sequentiality of multimodal resources},
  editor    = {Arnulf Deppermann and J{\"u}rgen Streeck},
  publisher = {Benjamins},
  address   = {Amsterdam u.a.},
  isbn      = {978-90-272-0115-7},
  doi       = {10.1075/pbns.293.07sch},
  url       = {https://nbn-resolving.org/urn:nbn:de:bsz:mh39-79950},
  pages     = {231 -- 260},
  year      = {2018},
  abstract  = {Theater rehearsals have a characteristic temporal organization: They rely on fleeting (talk/embodied conduct) and endurable resources (e.g. manipulation of objects) to accomplish a stage play which has a defined shape. In doing this, participants have to bridge time gaps and they are therefore dependent on practices which are able to prefigure the future in a more sustainable way. Based on video recordings from theater rehearsals I will show the basic operation of these practices: While projections-by-arrangements anticipate the play world verbally, preparations produce material parts of the play world (e.g. attaching props). Finally, I consider more general implications of the differences between “verbalizing” (projections) and “materializing” (preparations) for the temporalities of interactional organization.},
  language  = {de}
}