@incollection{KetzanKamocki2021,
  author    = {Erik Ketzan and Paweł Kamocki},
  title     = {Digital humanities research under United States and European copyright laws. Evolving frameworks},
  series = {Access and Control in Digital Humanities},
  editor    = {Shane Hawkins},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon/New York},
  isbn      = {978-0-429-25961-6},
  doi       = {10.4324/9780429259616},
  url       = {https://nbn-resolving.org/urn:nbn:de:bsz:mh39-104438},
  pages     = {233 -- 248},
  year      = {2021},
  abstract  = {This chapter summarizes the current state of copyright laws in the United States and European Union that most affect Digital Humanities research, namely the fair use doctrine in the US and research exceptions in Europe, including the Directive on Copyright in the Digital Single Market, which has been finally adopted in 2019. This summary begins with a description of recent copyright advances most relevant to DH research, and finishes with an analysis of a significant remaining legal hurdle which DH researchers face: how do fair use and research exceptions deal with the critical issue of circumventing technological protection measures (TPM, a.k.a. DRM). Our discussion of the lawful means of obtaining TPM-protected material may contribute to both current DH research and planning decisions and inform future stakeholders and lawmakers of the need to allow TPM circumvention for academic research.},
  language  = {en}
}